A Quote by Daniel Woodrell

I tell the story by feel most of the time, and I am not much given to labyrinthian digressions but seem to be naturally drawn to compression and pace, and the feelings come about on their own.
Every film is faced with the enemy of time. Only so much story can fit into the 90-150 minutes of time that moviegoers are willing to stay in their seats. Naturally, compression is necessary. So are the exclusion and amalgamation of characters so that the viewer does not become bewildered.
If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
I think most people who were involved with television will tell you, if given a season or given a 13-episode order and getting those episodes on the air, and if viewers don't come, I think most people will tell you they'd walk away. They feel they were given a fair shake, and if viewers didn't come, they didn't come.
Let's get this out in the open once and for all. Here is how I feel about compression... Compression is for kids!!!!
When I was growing up, my mom told me every story that was happening to her. Most of the stories that come to me are through a female voice in my head. My stories seem to naturally be about females.
When you have an important story to tell, the words you need seem to come of their own accord.
Feelings are you inner guidance system-your emotional compass. When you allow this compass to direct your actions you build self-trust. When you feel hungry, you eat. When you feel tired, you rest. When you feel lonely, you reach out for a connection to others. In this most basic way your feelings link you with the wisest part of yourself. They tell you what you need to know at any given moment.
Vera said: 'Why do you feel you have to turn everything into a story?' So I told her why: Because if I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me. Because if I tell the story, it doesn't hurt as much. Because if I tell the story, I can get on with it.
I'm very grateful to be in a position now where I have a lot more control to tell the stories I want to tell. I feel no obligation to tell any one story. I will tell you my interest mostly lies in telling stories about empowered women, but I don't feel it's an obligation. But I do feel like I am servicing a voice.
Interacting with other people does not come naturally to me; it is a strain and requires effort, and since it does not come naturally I feel like I am not really myself when I make that effort. I feel fairly comfortable with my family, but even with them I sometimes feel the strain of not being alone.
I don't naturally have a good metabolism, but I am lucky in that I am naturally drawn to healthy food.
I just like to explore honest thoughts or feelings. How I'm feeling at the time. I want to explore it and talk about it and have a conversation with the audience. I want to throw something out there, see how they feel about it, and tell them how I feel about it. I know that's really relaxed, but that's the most fun.
We want to take our time with 'Descender' and let the story unfold at its own pace. But we have carefully planned each world and worked to give each its own look and feel. And each of the 9 core worlds will play a role in the series.
Most of the time, feelings just seem to get in the way. They're a luxury for the idle, a bourgeois concept. Feelings are overrated.
Before 'Last Man Standing,' I did a lot of indies, which were raw and controversial and much darker. That is where I feel most secure as a storyteller. That is what I am drawn to the most.
The truth about our own modest contribution might immobilize us: much easier then, to tell ourselves a story about how much we make our own reality.
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