A Quote by Daniel Woodrell

But I've been at writing long enough now to know that every three or four books I have to start a new direction. — © Daniel Woodrell
But I've been at writing long enough now to know that every three or four books I have to start a new direction.
I've been at writing long enough now to know that every three or four books, I have to start a new direction.
Writing my own stories had always been one of my dreams, but I didn't start until I was 29. I was working in a book warehouse and was assigned to the third floor where all the children's books were. For four and a half years, I spent all day, every day around children's books, and it wasn't long before I fell in love with them.
I've been around long enough now and have learned to be flexible enough to know that every movie isn't going to be 'Apocalypse Now,' and every director doesn't have to be Stanley Kubrick.
I've written a lot of books now; I've been published for over 30 years. I hope with every book I learn something new, and with every new novel I try to improve the process of writing.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
I've been around long enough now that people who don't get into the outrageousness, the over-the-top stuff, they know not to buy my books anymore.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
I worried because I'd been on the pill for so long and the doctor said to me, 'If you want to have three or four children the chances are you probably won't get pregnant for another year so you should probably start trying now.' We started trying and it happened quite quickly.
Every three or four years I pick a new subject. It may be Japanese art; it may be economics. Three years of study are by no means enough to master a subject but they are enough to understand it. SO for more than 60 years I have kept studying one subject at a time.
I've been writing books because it's been my way of dealing with the demons. The act of sitting down and writing the books down has started healing process that's been long overdue.
For the first four years, no new enterprise produces profits. Even Mozart didn't start writing music until he was four.
I see every new album as an opportunity to start over. To either build or improve upon a direction that has been evolving over time or to completely break new ground.
The love of writing comes at a very early age. For me, for instance, comic books so affected me. And a lot of people who come up to me and start talking about writing, when I start talking to them about the "Fantastic Four," they look at me aghast. They say, "'The Fantastic Four?' That's not literature." I say, "Yeah, but it was when I was 11 years old." This was literature.
We probably put about four or five comic books out a year and probably about two or three art books and various trade paperbacks - maybe four or five of those a year - and that's what we do now.
I've always enjoyed prasadam much more when I've been at the temple, or when I've actually been sitting with Prabhupada, than when somebody's brought it to me. Sometimes you can sit there with prasadam and find that three or four hours have gone by and you didn't even know it. Prasadam really helped me a lot, because you start to realize "Now I'm tasting Krishna."
You have to stand every day three or four hours of visitors. Nine-tenths of them want something they ought not to have. If you keep dead-still they will run down in three or four minutes. If you even cough or smile they will start up all over again.
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