Hong Kong people say Hong Kong needs to preserve its uniqueness. I say Hong Kong's uniqueness is in its diversity, its tolerance of difference cultures... China does not want to see Hong Kong in decline. I have full confidence in its future.
When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people.
Hong Kong compatriots will surely display great love for the motherland and for Hong Kong and take it as their utmost honor to maintain long-term prosperity and stability in Hong Kong and safeguard the fundamental interests of the country.
I hope Hong Kong isn't just named Hong Kong but it can still be the Hong Kong we desire.
An affection for Hong Kong and a national identity are not mutually exclusive. We can let children learn more about Hong Kong's history, culture, politics, and social development, and at the same time, we must make them have their national identity.
Bo Innovation is there for anyone who comes to Hong Kong and wants to learn about Hong Kong in the shortest amount of time.
People in Hong Kong are stylish and fashionable, which is one of the many reasons making Hong Kong itself such an energetic place.
Self-determination means the political and economic status of Hong Kong should be freely determined by the Hong Kong people.
Detention cells in Hong Kong are not pleasant. In Thailand they are even worse. In Hong Kong you are at least allowed to see your lawyers.
I went back to Hong Kong for the first time in 17 years and I was culture shocked in Hong Kong.
One of my goals is to have a base near mainland China. I think Hong Kong would be a good match for me. I like being in Hong Kong.
People are very surprised when they come to Hong Kong after seeing my films, because my version of it is quite different than Hong Kong in reality.
Asian horror is really setting a trend. The Pang brothers are from Hong Kong, so they just bring a whole different sensibility to a horror movie. In Hong Kong, they're actually doing stuff that's very artistic and pushing boundaries.
I still remember 2002. It's a very hard time for Hong Kong industry, no movies in Hong Kong, and also at this moment I start my new company, so many people said, 'You're crazy.'
There was the Cultural Revolution just over the border, and Hong Kong felt quite dodgy. My younger brother's wife actually swam from China to Hong Kong to escape. I realised in the '60s that I had to get out.
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.