A Quote by Daniel Wu
I think filmmaking is a gamble anyway, right? You never know the results from the start.
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Although I don't gamble in life - I've never played poker - I do gamble on stage. I gamble with myself: 'Can I do this?'
I think when I start thinking about results, I stop playing the right way because I start getting too nervous.
For me, poetry has a strong link to my filmmaking. My films learn from my poetry. In poetry, you're free. You start in the corner and you don't know where it leads you. I have no message, I have nothing I want to tell, I just start and I see where it leads, and it's a big surprise and relief if it's good. That's the ideal state for filmmaking.
Filmmaking is a gamble.
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
I never seem to know what's going on... Right from the very start, my life has been strange. I think I know what happened... I must have missed all the rehearsals.
One wants recovery to start from the bottom, and the other wants it to start from the top. I don't know which is right. I've never heard of anybody suggesting that they might start it in the middle, so I hereby make that suggestion. To start recovery halfway between the two, because it's the middle class that does everything anyhow. But I don't know anything about it.
We may gamble on outsmarting the law; we may even gamble on the leniency of man and the mercy of God-but no man ever won a gamble with his own conscience. Even should he think he has beaten his conscience into submission, his misdeeds still leave their mark upon him. Anyone who gambles against this fact has already lost his gamble.
Marriage of attraction is a gamble anyway, so you might as well marry into a family that is similar to your own, and make that much less of an adjustment. But the 'love marriage', as it is called, is equally common in India now. But it would be interesting to do a comparison of what would work better. Marriage is hard work, and it is a gamble.
I think filmmaking is a strange animal because it's anti-Democratic and collective at the same time, but I think it's all about not trying to know everything better than everybody else but making the right choices.
I think the Congress will do the right thing. I think that they've - you know, they got into certain arguments and they start worrying about assessing blame, and there is a little demagoguery, but in the end, something this important, they'll do the right thing. So this really is an economic Pearl Harbor. That sounds melodramatic, but I've never used that phrase before. And this really is one.
I try to tell people to do, or advise them, anyway, is adopt conservative philosophies like hard work, preparation, perseverance, love of God, love of country, personal responsibility. Start to think for yourself and then go out and vote. And I think that once they start to do that, they will know where their vote should go.
Never think of any right effort as being fruitless. All right effort bears fruit, whether we see the results or not.
Being brave doesn't mean never being afraid, you know. It means going for it anyway because you know it's the right thing to do.
You have to start with slavery because those abuses have never been eradicated. You know, people are not living in slums because they voted to. You know, their children are not in jail because they wanted them to. You know, these are the results of a people who have been oppressed and suffer national oppression, you know.
Filmmaking in general is about feeling and not about theory. You need to know a lot of rules about filmmaking: character development, grammar, and all these thing, but then you use it instinctively. I ask myself this question all the time. I have no solid theory, I just do what I feel is right.
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