A Quote by Daniel Wu
In 'The Matrix,' you see the fight between Keanu Reeves and Lawrence Fishburne. It's an amazing fight. But I know that they've rehearsed it for months beforehand. Because in some of the moves you can see them anticipating blocks before they actually happen.
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When I first met Laurence I was Keanu's [Reeves] stunt double on the first Matrix. So, a little evolution there with career status. But then cut to the thirteen/fourteen years later where now I'm asking Laurence Fishburne to trust my directorial capacity [in John Wick 2].
Keanu and I were in New York, I was prepping John Wick 2. And when Keanu [Reeves], [writer] Derek Kolstad, and myself sat down and wrote the character, it was completely, one hundred percent based on Laurence Fishburne. Like, in my head I saw this guy.
I spent a lot of time with both [Laurence Fishburn and Keanu Reeves], obviously, on the Matrix trilogy. Worked a lot, on a day-to-day level, with Laurence Fishburne. And then we'd bumped into each other through the film community for years and years.
Even when you spar for real and fight with full contact in training, you get hurt or you hurt someone and you see them trying to fight back. I want to inject as much reality as possible into fight scenes, even if some of the moves are slightly larger than life, if the emotion is there you'll then still be able to buy it. I recall seeing some films where people perform an acrobatic flip mid-fight and land with graceful precision and it's almost like watching Zorro... it's almost whimsical but you're no longer engaged.
I think what I'm most looking forward to in 2020 is when, you know, we shock everybody and Keanu Reeves reveals that he's actually in love with me and that we actually have to be together.
In the first week of the showings of the The Matrix Revolutions, The Godfather and The Godfather Part II played on cable television. I started watching, and I was held; I wanted to go through the process again. Can anyone credit that 30 years from now there will be an audience for the three parts of The Matrix, anywhere? Even if Keanu Reeves is our president by then?
One fight I would love to see, I have always loved to see, but I doubt it will ever happen, is Georges St-Pierre and Conor go at it. I think it would be a huge mega fight.
Stockton is a great fight town because if you drive long enough on some of these roads, you'll probably see a pretty good street fight.
I didn't fight this fight for the blacks, the whites or the Spanish, I fought th fight for the people. We're all God's children. I don't see color. I'm not a racist When I look at Gerry Cooney, I just see a man trying to take my head off.
I do have some unfinished business with Josh Thomson. I think that's a fight fans want to see, it's a fight Bellator wants, it's a fight I want.
The history and baggage of certain actors and characters - it goes into the movie and becomes part of it. If Keanu Reeves wasn't Keanu with all the things that make him Keanu, it wouldn't be the same for him to come in and become his Bad Batch character The Dream. It's kind of meta or next-level interesting for me.
This thing where Daniel Cormier wants to fight Brock Lesnar; I know he wants to make money, but it doesn't make any sense. The only one who wants to see that fight or make that fight is him. Nobody else wants to see that.
You've got to give kids really beautiful children's books in order to turn them into revolutionaries. Because if they see these beautiful things when they're young, when they grow up they'll see the real world and say, 'Why is the world so ugly?! I remember when the world was beautiful.' And then they'll fight, and they'll have a revolution. They'll fight against all of our corruption in the world, they'll fight to try to make the world more beautiful. That's the job of a good children's book illustrator.
And so not only do you have to make that work, you can't really start putting the thing together in any form because some of the shots are very short and obviously many of them take so long, you're waiting months and months and months before you can see if it's going to be working emotionally.
When you believe in something, fight for it. And when you see injustice, fight harder than you've ever fought before.
You'll still work with some directors where that doesn't happen, and sometimes it's out of necessity because you're in a really complicated, choreographed fight scene and the whole thing is being prevised in a computer, so it's been decided months before, but I think that's sneaking into the way action scenes are shot.
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