A Quote by Daniel Zovatto

For me, you have to like the person you're playing. When you don't, it's kinda hard. — © Daniel Zovatto
For me, you have to like the person you're playing. When you don't, it's kinda hard.
Before I got big, I was playing point guard, so I'm kinda like a pass-first person. Some people tell me I should be more selfish, but that's not me.
I'm not like, 'I act.' I'm like, 'I'm kinda floating. I kinda did this movie; it was kinda like going to camp, and I don't really know what any of this means!'
I feel like when I'm writing for other people, when I'm doing rap hooks, it's kinda like playing dress up for me...
Everyone kinda knows me as David and Victoria Beckham's son, and it doesn't, like, annoy me; I just kinda wanna make my own name for myself.
Sometimes I'll hear a certain approach that kinda cathes my ear, like „It's kinda cool what that guy's doing there", or maybe an effect that somebody's using, or a guitar sound, or something that kinda makes me open up. But the funny thing is i realise over time how sort of traditional i am.
When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
I like all like classic rock bands like The Beatles and The Who and stuff and Led Zeppelin so I kinda dress like that. Kinda retro I guess. Well not retro but, like tight. I don't know. Like just jeans and shirts. I don't know. Kinda rock and roll I guess.
I like to look like a person. It drives me crazy when you see women in movies playing teachers, and they have biceps. It totally takes me out of the movie. I start thinking, Wow, that actress playing this part really looks great!
I'm a kinda strong person and kinda heavy.
I think I kind of approached music with this sort of, like, weird thing where I kinda set myself up where I could kinda be myself but not really. I kinda had a backdoor out. So if you criticized me, I kinda had my defenses working. And the problem is that some people seize on that as inauthenticity, which is understandable. So that's painful because it's not that you're being inauthentic...there's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
To me, acting is like tennis. You're only as good as the person you're playing with, so if you're playing with Michael C. Hall, what do you have to worry about?
I care about being able to play. If you're playing with integrity in the music, then that's what matters. But it wasn't that great for me because it was kinda like going back into the old times without the guy.
I can just sense some eyes, some people kinda stare a little bit like they recognize me but don't quite know for sure kinda thing.
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
I don't care if X don't like X off the court... As long as you're on the court playing hard and playing for each other, that's all that matters to me.
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