A Quote by Daniela Bobadilla

I've always just been really interesting in humans, whether I knew it or not, back then. To be able to recreate that and express that was definitely something I wanted to do.
What we try to do in TSAW, which is Tasha Smith Actors Workshop, is to help the actor get to the core of who they really are and how they really feel. So, we may have them do a dump, where you just basically express everything that you feel that you have not been able to express, whether it's good, bad, or ugly.
I've always been very ambitious, and I always knew that I wanted something else. Cuba was a good start, but I knew I wasn't going to develop a real career, and I wanted to get closer to filmmakers that I wanted to work with.
Unless we are able to commit to a permanent growing settlement [on Mars], then I don't think just going there with humans and coming back is worth doing. The expense of planning to come back is like the people who left Europe to come to America and then to turn around and go back to Europe, it really doesn't make any sense at all.
I'm a person who's been in a long-term relationship. It's not surprising that a lot of my friends - whether they're in same-sex relationships or not, whether they're married officially or just in a long-term relationship - have really interesting and various stages in their relationship. My life is looking at these friendships and saying, "Wait a minute, isn't this something really interesting? How can I explore this?"
I started acting when I was really young. I knew I wanted to be in the industry in other ways. I knew that I wanted to do more than just act. I don't know that I knew it was screenwriting, but I just knew that I wanted to be involved.
I always wanted to make the matches in some way different unique and interesting. I never wanted to have that basic match. I just wanted us to stand out in some way or another, whether it was storytelling or interesting wrestling moves.
I just always knew I wanted to be an actor. I gave my Emmy acceptance speech when I was 11. But, I wasn't allowed to do plays and things like that. It was considered dangerous. My parents didn't think it was safe for a girl to do that, and they definitely didn't think it was interesting to participate in the arts.
I always knew I wanted to dance. I started ballet when I was three years old, and I just knew it was something that I loved and that I wanted to do.
I didn't really have an identity crisis because I really, really knew who I always wanted to be But I definitely had a lot of problems with my body. I was very skinny, and I guess my body was sort of pre-pubescent, but when I grew hips and thighs, I just didn't know where I was in the world. It was weird.
I've always been someone who really watches other people, human behavior. To watch it and be able to express it through your version has always been really exciting to me.
I've always been someone who really watches other people, human behavior. To watch it and be able to express it through your version has always been really exciting to me
I feel really privileged that I've been able to be an activist and a musician for over 20 years now, and I've always been able to say whatever I want. I think that's something we Americans really take for granted, but it's a big deal, and it's not something most people in the world are able to do.
I've always been interested in singing. My sister's a fantastic singer, and it's just something that's always been around. I play saxophone and guitar. I'd definitely like to pursue it, and it's something I'd like to keep going, if not as a career, then as a hobby.
I definitely play roles that are close to my persona. I was dying to be an actor, my whole life. I just always wanted to be someone else. Then, once I decided that I really thought I was pretty cool, I wanted to see myself.
I knew that I wanted to create rich themes, and something that people might really relate to emotionally. That was the quest, authenticity, and then just to make the audience feel something.
I have been taking some classes in woodworking. It's really helpful just looking at a problem, and having a very tangible way in constructing it. So much of the work that I'm used to begins in such a muddy realm and you try to shed light on it, make something grow out of it, but you don't really have anything to show for it except for the actually doing of it. But with woodworking, it's really sort of gratifying to be able to have an actual piece to touch, and then step back and be able to share it.
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