A Quote by Daniela Bobadilla
I can't imagine saying the same joke for three hours. I don't know how that would work.
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When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
I know that I cannot be with a person for three hours without saying at least ten things that would kill me.
Are you aware that your spirit needs to be fed? Did you know that your spirit would be delighted to partake in a feast of spiritual food? How about a plate full of prayer? Or maybe a few hours of succulent self-reflection. Perhaps a piping-hot selection of spiritual literature, served by the side of a lake or under a tree, would satisfy your spiritual hunger. Can you imagine feasting for a few hours on spiritually uplifting music? What about some forgiveness à la mode, topped with compassion? You cannot imagine how much your spirit would enjoy it.
All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.
I think if more people would understand how simple and what really feminism is, I would imagine that most men I know are feminists without verbalising or saying so.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
I can't imagine us saying these things to each other out loud. But even if I can't imagine hearing these words, I can imagine living them. I don't even picture it. Instead I'm in it. How I would feel with him here. That peace. It would be so happy, and it makes me sad because it only exists in words.
I practice my saxophone three hours a day. I'm not saying I'm particularly special, but if you do something three hours a day for forty years, you get pretty good at it.
You didn't question - kind of like, you would go to college. You would wear a tie to work. You would, you know, you would work for 40 years. And then you would play golf for three years, and then you would die. That was how I was raised.
I was saying as a joke the other day that I love film editing, I know how to cut a picture, I think I know how to shoot it, but I don't know how to light it. And I realize it's because I didn't grow up with light. I grew up in tenements.
I'm not saying don't do the work you got, but instead of this two hours of watching TV at the hotel lobby or this three hours of sitting under the pier and reading comic books or worrying about what you're doing ... what value do you have? Can you read? There are people out there who can't read - go read to them.
My job is to be able to perform for three hours or three and a half hours every Sunday and I've got to work my tail off to get to the point where I can do it, and that's what motivates me.
At the very end of a book I can manage to work for longer stretches, but mostly, making stuff up for three hours, that's enough. I can't do any more. At the end of the day I might tinker with my morning's work and maybe write some again. But I think three hours is fine.
When competitors try to innovate, I think it puts more pressure on us. The only thing is, we've got to work harder. They work two hours, we work three hours... Ultimately this is good for the end user.
When I am working, I know this is my work so I can be focused for three hours, four hours, or whatever, and then outside I am a person like you or the children playing soccer in the street.
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
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