A Quote by Daniela Ruah

Acting with your mom? It's not something you get to do very often. — © Daniela Ruah
Acting with your mom? It's not something you get to do very often.
I started acting in second grade - my first role was in the Thanksgiving play. I was the Indian chasing the turkey. All the other mom's encouraged my mom to get me into acting after that.
What?” Simon looked alarmed. ”I‘m not really sleeping with your mom, you know. I was just trying to get your attention. Not that your mom isn’t a very attractive woman for her age.
My mom didn't ever think I would take to acting because I was a very shy, very reserved kind of child. But obviously, something changed!
I started acting in second grade - my first role was in the Thanksgiving play. I was the Indian chasing the turkey. All the other mom's encouraged my mom to get me into acting after that. Also, when I saw 'The Sound of Music' at Music Circus, I knew I wanted to act.
I remember when I started acting and didn't get a part and was really jealous of the girl who got it. My mom would say to me, "If you don't get a part, that means it's not your part. It's just not yours. You will have your parts." It really recalibrated me at a very young age to where I could be driven because I was trying to achieve things for myself, and that had nothing to do with what anybody else was doing.
Period films to me are very often alienating to the audience. There's very often a formality. A staunchy quality to them that comes from the misenscene. It also comes from the performances of the actors, because they're acting Victorian which really means that they're just acting the way they've seen previous actors act Victorian.
I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.
I get very competitive, mostly in acting though. When I'm going out for a role or something, that's when I really get very territorial about things.
But for me it's very difficult to finish music on my own. It's the fear of losing the fun. It's very easy to get a sketch of something or an idea together in a very short time, to try out something new, but to get a five minute track to play out is much harder, at least for me. When I start to construct something, it often ends in frustration.
I find so often, you know, just on a very mundane level; you've got a meeting and your child's acting in a school play. You can't do both things. And it's not simply that you can't do both, but whatever you do, you're going to be neglecting something that's really important.
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
You'll often find that it's not mom or dad, husband or wife, or the kids that's stopping you. It's you. Get out of your own way.
Very often, you did something slow with your arm, for example, and something rapid with your feet - but the arm had to do something large against this - and this set up a kind of opposition.
When I started studying acting in New York, I didn't plan to be an action hero. I just wanted to learn acting because I felt it was something I needed to try to do for myself, to express something, my inner pain, or something I couldn't get out.
How often do I call my mom? You can never call your mum enough, and I should call my mum more often. But I speak to my mum very regularly and have a close relationship with my parents.
One of the things that impacted me the most was in the 12th grade. I just assumed I would get the lead in the musical. Well, I didn't get it; I got the second lead, and I was devastated... my mom said something like, 'Often the supporting character is better.'
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