A Quote by Daniela Vega

There are certain exercises that you can do to let go of the emotions you create when you play a certain role. Breathing techniques. — © Daniela Vega
There are certain exercises that you can do to let go of the emotions you create when you play a certain role. Breathing techniques.
We're able to use certain techniques to get people to behave in certain ways. We're able to use certain techniques to make it look like we're reading minds, even though we're not.
Actors incorporate certain emotions from our own lives in order to create characters, and emotions come from experience.
We find that the child who does not yet have language at his command, the child under two and a half, will be able to cooperate with our education if we go easy on the "blocking" techniques, the outright prohibitions, the "no's" and go heavy on "substitution" techniques, that is, the redirection or certain impulses and the offering of substitute satisfactions.
As a model you do play a certain role and you know as an actor you play another role.
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself you don't need those techniques.
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself, you don't need those techniques.
I think some of the most important exercises are all the core exercises that you can do to maximize training in certain areas of your body.
In magic I believe I can control certain elements of my environment, I believe I can control certain aspects of my endocrine system, through imagination, visualization, breathing techniques, which in a sense come into the scientific aspects. So magic is a combination, its a soup, a delightful combination of art, imagination, visualization, fantasy, with a healthy dose of solid basis, because it is a science. The thing is we've lost the keys.
I create each character as an individual, coming from a certain place, sounding a certain way, having been introduced to things a certain way.
No matter what role I play, I have a certain image to maintain. I believe I'm a role model and I take my parts accordingly.
Obviously everyone wants to play a certain way but when you get into certain moments you need someone to hold it up or if you are losing a game, go long.
Plays have a celebratory nature that no other form has. Theater always meant celebration, a birthday, a reward for good grades. I felt at home in a theater. I loved being part of an audience. All the rules - the audience has to see the play on a certain date at a certain time in a certain place in a certain seat.
I think, bad times, I sit down and I play - there's definitely certain songs that touch in certain ways. I go back to 'Moonlight Sonata' by Beethoven; that usually takes care of everything.
People like to see certain actors do certain things, and people like to see me play that role. I also have no interest in playing a normal girl in a romantic comedy in some cutesy thing.
When I'm trying to imagine something, I have a few elements, a few ideas, maybe a certain actor or actress I want to create a certain type of character for, or maybe a certain place.
He [Aristotle] pointed out that people who had become initiates in the various mystery religions were not required to learn any facts 'but to experience certain emotions and to be put in a certain disposition.' Hence his famous literary theory that tragedy effected a purification (katharsis) of the emotions of terror and pity that amounted to an experience of rebirth.
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