A Quote by Daniella Alonso
There are those special projects that don't ever feel like work but just a blessing to be a part of, and 'Revolution' is one of those projects.
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I always have a ton of projects in mind. On my ToodleDo list, I divide projects into those I'm actively working on, those I'm not doing but believe I will do, and those that sound good, but who knows if I'll ever get to them.
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
If I have an idea I want to put in a movie, I know what camera will make that look best, and I have ideas for future projects and stuff I'd like to build for those. I think it's just part of how I work, though.
There's not enough of those inclusive projects where I feel like I'm interpreting a human being and not just a statistic or a nationality.
I do my best to choose carefully. If I don’t feel that collaboration is going to happen, I say no. Think about it. These projects can involve a five-to-seven-year partnership. If you don’t feel comfortable with someone, you can’t get rid of them. I just walked away from a job for that reason. Every one of these projects is an emotional investment, like falling in love. You’ve got to believe in it and you’ve got to like the people you work with.
If you look at the American Jobs Plan, there is a real focus on a multiyear public investment plan designed to get at those shovel-worthy projects - those projects that are not going to take forever but really do require some planning and technical capability.
I have found, unfortunately, that if I take on too many projects at one time, there is a higher probability of those projects sucking.
Many of the projects I'm most proud of are tall buildings, especially the housing projects. In New York I have two: one in Kips Bay and one at New York University. At that time, those projects were most challenging.
For actors, being successful is generally getting a job. If you can work a lot, you're really successful. If you work a lot on projects that are interesting and intelligent and great fun to be part of, then you're hugely successful. And I feel hugely successful. I can't believe that I get to be involved with the projects and the people I work with.
These new prospective projects include the Appalachian Connector and the Diamond East projects, both are major new projects that connect the burgeoning supplies from the Marcellus and Utica directly to growing demand on Transco that is anxious to see the supplies coming their way as those markets strive to grow as well.
Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
My projects have typically taken a long time to complete. Buildings might take on average about five to seven years to finish, but in my case it's been longer, because the projects I have accepted within the past 15 years have been mostly government projects, and those involve some politics and funding issues, and approvals and so forth. So they're slower.
While I do not agree with all of the claims made by experimental philosophers, especially those who seem to think xphi will somehow replace the rest of philosophy, I think xphi projects are interesting and important, I love Josh Knobe's work, and that these projects contribute something new and worthwhile to the philosophical conversation.
'Looking' is more than just a television show. It's contributing to the cultural conversation, and for me, those are the most exciting projects to be a part of.
My ultimate goal is actually to direct and develop projects. I don't want them to be big projects with a lot of special effects because that's not really what appeals to me.
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