A Quote by Danielle Arbid
Strangely, producing "Parisienne" was very long and difficult because the people who mainly finance films didn't understand the idea of a young foreign girl having a good time in Paris. They wanted to see her suffering and poor, and definitely not falling in love with three French men!
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Plainly, she is quite besotted by him,... a girl, a young girl, and she is falling in love for the first time in her life. ...little Kitty Howard at a loss, stumbling in her speech, blushing like a rose, thinking of someone else and not herself is to see a girl become a woman.
When I moved to Paris in the '70s, there wasn't very much going on in film in England. So when I started doing French films, there was a natural movement toward the kind of films I wanted to do. It wasn't the reason I came, but it so happened that I stepped into a time and place that actually corresponded to what I wanted. That sometimes happens in life. And it was rather beautiful.
I think London, New York, Paris, Milan, any big city has its own fashion. I don't know why they make such a big thing of Paris. I think maybe it comes from French New Wave films portraying the French girl as very feminine.
Every time I look down on this timeless town Whether blue or gray be her skies. Whether loud be her cheers or soft be her tears, More and more do I realize: I love Paris in the springtime. I love Paris in the fall. I love Paris in the winter when it drizzles, I love Paris in the summer when it sizzles. I love Paris every moment, Every moment of the year. I love Paris, why, oh why do I love Paris? Because my love is near.
"Parisienne" is about how you forge a life in a new place when you are 18. And it's about a Lebanese girl who discovers Paris and the French in the 90s, and through these encounters, discovers herself.
I wanted other people to see what's in my mind as a young 14-year-old girl because sometimes, when men - or just older people - try to make films from what they think is a kid's perspective, it doesn't come out the right. It's like, 'Ehhh, that's probably not what we would do!'
Do you remember A Wrinkle in Time? It's a good one example. I think the character's name is Meg. I just remember she was a very logical, intelligent, advanced girl. I wouldn't say that I felt like that was who I was, but I wanted to be around her; I wanted to be like her. She had an understanding of science and was incredibly curious - an interesting, complex young girl.
It's difficult for a young girl like me. Because there's a certain time for young actresses, which is like a really juicy period when all the parts are love interests and young heroines. Of course, there's always work for men whatever age they are.
I would love to be a guys' girl, but they always end up falling in love with me, so I'm a girls' girl instead. I've tried having friendly relationships with men, but it ends up being impossible, and I've been around the block too many times not to see it coming.
You can tell young actors it's going to be very difficult, but there's no way you can understand the difficulties and the rewards through description. You have to cellularly experience it. It's a very difficult career in the long run, but at the same time, there's no long-haul career I'd rather be involved with.
In Long Island, people care about how much money you have. Even I did when I was growing up. I never wanted kids to see my mom's house because I was embarrassed that they'd tell everyone, 'Oh, Madison's mom is poor!' And she was definitely far from poor.
In the United States there's not a lot of people interested in foreign language films. Every time, it's more difficult for foreign language films to survive here.
I think she definitely played a great tournament here. I mean, she reached the final as a very young girl. I know she can be very dangerous. I just did what my coach David told me, that I had to really go for every shot, to not really give her the time for her game. Definitely she's a talented player.
Film is a wonderful thing and it can be so many different things. I don't want to turn my back on any of the different ways movies can be. I love the movies. I love going to the films. I like very serious films, I love foreign films, and I love big, fun movies - as long as they're well made and they've got good scripts. That's the most important thing.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
Definitely, the most important part of a love story is the chemistry between the two actors because a love story is about a guy and a girl meeting and falling in love. You don't see love coming across if the chemistry is not there.
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