A Quote by Danielle Arbid
I wanted the camera to actually observe the people who come from the outside to live inside a country, instead of fantasizing about them. Also, I wanted to say the sum of who we become is thanks to the people we meet. I wanted to make a positive film.
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I wanted to become a director before I wanted to become a writer. When I was 10, people would ask me what I wanted to be when I grew up, and I said, 'Walt Disney.' I wanted to make films. But I wasn't offered a camera. I was offered language. So I started telling stories in the theatre and then in my novels.
Before acting, I wanted to become a journalist. I also toyed with the idea of being a chef - but that's only when people asked me what I wanted to be. In fact, I always used to say I wanted to be an actor, but I didn't ever believe that I was good enough to be come one.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
I've always wanted to make records that rock like hell. But also, I've never wanted to compromise that Country place deep inside.
I wanted to make a movie about a black family in Middle America. I wanted to make a film where everyone can look at them and say, 'This is my family.'
I wanted to do what I was seeing Dorothy Dandridge doing, what I saw Marilyn Monroe do, what I saw Bette Davis do. I wanted to do that: to tell stories. I wanted to make people laugh, make people cry. I wanted to be a storyteller.
I'm a film guy. I love it. When I read the screenplay, I knew that there would be no HD camera that could achieve the look that I wanted for this film. I wanted it to be dirty, and 16mm provides all of that with the look and the grain. That's what I worked for, and that's what I wanted, and that's how I'd seen the movie in my mind.
'Skins' wanted to create a new thing by actually casting real teenagers. I think it was very brave of them. They also wanted to give the opportunity to people who didn't go to drama school.
I didn't become an actor because I wanted to act. Actually, I wanted to become a marine biologist. But most of all, I wanted to be accepted.
I wanted to say what wasn't being said. I wanted to give people a real story. I wanted people to know people like me exist in the world.
Social media is really not for conversations. There are people that you can meet and talk to on it, but it was not created for that. People wanted things that were soap boxes, where they could say what they wanted, and they don't have to respond to anyone else.
I lived in a country where I couldn't live where I wanted to live. I lived in a country where I couldn't go where I wanted to eat. I lived in a country where I couldn't get a job, except for those put aside for people of my colour or caste.
I remember travelling up and down the road, and I kept journals during my whole career, and I was always making notes about things I wanted to say, words I wanted to create, actions I wanted to do, things I wanted to do to make the character more imaginative and fantastical.
I wanted James Carville to never die. I wanted Dylan, the poet, to not die. I wanted to put these people in a place where they would be inviolate. It wasn't enough to have a still life of them. I wanted to surround them with the lives they led.
I started to understand how important it was for me to make my own name pretty early on after years of noticing people treating me a certain way because of who my dad was. Some people wanted to be friends, others wanted to test me because I was Chris Eubank's son - inside schools, outside of school, on the streets.
I wanted to be different. I wanted to address everyone. I wanted to address the hood, but also the people that was getting money. I wanted to address the men and women, the kids and the adults.
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