A Quote by Danielle Brooks

I went to Juilliard, for God's sakes. I know a little something about combat. — © Danielle Brooks
I went to Juilliard, for God's sakes. I know a little something about combat.
Raising taxes is not a frivolous venture that you do on the editorial page of 'The New Republic,' for god sakes. It's something that you really have to think about and go through carefully.
Be on the lookout for global warming for God's sakes, although I don't think you can really "see" it. It's something you feel, deep inside, at the moment you have second thoughts about spraying those CFCs outside your home each afternoon in hopes of making it just a little friggin' warmer - is that too much to ask? - in your neck of the woods.
During my childhood, I played just about every sport imaginable, which became less feasible at Juilliard... Although I remember our annual dodge-ball game as a highlight. The Juilliard 'Fighting Penguins' are a force to be reckoned with.
Captain Hook's mother, who said to Little Hook, For God sakes, don't scratch it! Never got a dinner!
God has always been in my life and his little voice in me that lets me know when I'm falling a little too far left or right, up or down you know. I know because there is a little voice that starts saying, 'damn it, what are you doing? You need to slow down with that' or I might not be a good person to hang around you know... So God will do this to me in some sort of way. Or something bad will happen to me.
Some of my friends would lie to girls to get them, or do things that - you know, they would cheat on girls. I was just never in the realm of what, you know, what's instilled to me, you know? Yeah, I mean, my mom's a social worker, for God's sakes.
So he was deserted. The whole world was clamouring: Kill yourself, kill yourself, for our sakes. But why should he kill himself for their sakes? Food was pleasant; the sun hot; and this killing oneself, how does one set about it, with a table knife, uglily, with floods of blood, - by sucking a gaspipe? He was too weak; he could scarcely raise his hand. Besides, now that he was quite alone, condemned, deserted, as those who are about to die are alone, there was a luxury in it, an isolation full of sublimity; a freedom which the attached can never know.
As an actor, it's all about whether you can sell the emotion on your face... that desperation, the panic and rage that comes with combat. The emotion of combat is important to me. I mean, you feel almost sick if you see a real fight where someone is getting badly beaten up. You can get emotionally involved in combat that has nothing to do with you in real-life, let alone if you are actually in it... or it's someone you know, and so you should have those same feelings on film.
You hear a lot about God these days: God, the beneficent; God, the all-great; God, the Almighty; God, the most powerful; God, the giver of life; God, the creator of death. I mean, we're hearing about God all the time, so we better learn how to deal with it. But if we know anything about God, God is arbitrary.
It's going back to old school, the way it was done and I'm finding out there is something different, a little interesting. There is something just a little fresh about it because I haven't seen it done like that in a little while. I'm embracing it, you know.
To say that we cannot know anything about God is to say something about God; it is to say that if there is a God, he is unknowable. But in that case, he is not entirely unknowable, for the agnostic certainly thinks that we can know one thing about him: That nothing else can be known about him.
I think the seed was planted when I was a teenager, and it took me until I got out of Juilliard. At Juilliard I was just learning to be a composer, but I was also learning how to manipulate computers.
At a young age, I wanted to be a prima ballerina and had these grand ideas that I would go study at Juilliard. It's something I laugh about now.
We were required to predict a soldier's performance in officer training and in combat, but we did so by evaluating his behavior over one hour in an artificial situation. This was a perfect instance of a general rule that I call WYSIATI, "What you see is all there is." We had made up a story from the little we knew but had no way to allow for what we did not know about the individual's future, which was almost everything that would actually matter. When you know as little as we did, you should not make extreme predictions like "He will be a star."
The only thing I know is the only things that I know. You can't ask me to talk about something I have no information on. I stay silent. It'd be foolish. So when I talk about something, it's something I at least have a little bit of familiarity with me.
He was overconfident”, she told him. “And I won so the gods must have thought I was right. Otherwise they’d have made me lose. You know how trial by combat works.” “You won because you were good” he corrected her. “I find it hard to believe the gods sit forever about the Divine Realms betting on jousts and trials by combat.
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