A Quote by Danielle Brooks

The sassy black woman who can land a good joke was sort of my go-to audition. Or playing a struggling mother. — © Danielle Brooks
The sassy black woman who can land a good joke was sort of my go-to audition. Or playing a struggling mother.
I enjoy watching a woman with really bad teeth and a good sense of humor struggling to use her lips and tongue to hide her teeth when she's laughing. I just stand there and tell her joke after joke after joke.
In films, I didn't crave the type of attention I had sort of stumbled into in my music career. And I do not audition well. I'm really not good at it. Early on, I did movies like 'Alpha Dog' and 'Black Snake Moan' because the directors didn't ask me to audition.
I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'
When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.
My mother was a woman. A black woman. A single mother. Raising two kids on her own. So she was dark skinned. Had short hair. Got no love from nobody except for a group called the Black Panthers. So that's why she was a Black Panther.
I audition for stuff all the time, and what's weird about it is that one's success rate at auditioning doesn't really change. It's sort of at the same ratio of stuff you audition for to things you land.
My agent says, "You have an audition for the next Dustin Hoffman movie, playing a pioneer woman." And I go, "All right!" I passed Barry Levinson in the hall on the way into my audition, and I saw him do a double-take. I think I looked so determined that I got the job right then.
One of my personal plights in this business is about playing 'The Sassy Black Girl.'
When I started, it was all meter maids or the sassy nurse, or the sassy receptionist in the hospital. And I felt like: Are those the only jobs that large, black women have?
There are expectations in how you play your character as a black woman, to be sassy and the same kind of feel, as if there are no quirky black women. I struggle with those things constantly, trying to add dimension to my work, and that's the goal, too.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
Hillary, you're a strong woman, you're an intelligent woman - you're not a good woman. But if you want to do good, let the Black man go, and stop deceiving them, that you are really their "friend." If you were their friend, why did you kill Muammar Gadhafi?
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
Just saw a woman with a t-shirt that said southern and sassy, it's all good. Well madame, I beg to differ, it is in fact, not 'all good'.
My job is to go into that audition and be good enough of an Asian actor - or an actor in general - to land that role so they don't have to go out and hire a white guy. My job is to make sure I capitalize on these opportunities that other people created.
That's where the theatre of dreams is, over in L.A.; it's the land of opportunity for actors, and to go over there with a good team behind you and have a part you want to audition for really makes it a joy.
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