A Quote by Danielle Campbell
Marion Cotillard is one of my favorite actresses. Not only is she so supremely elegant, but her choices are remarkable. I also admire Margot Robbie. She's been working in film for a long time and is not the kind of actress who had instant breakout success.
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Marion Cotillard is one of my favorite actresses.
I love Salma Hayek; we've been friends for a really long time. I admire how she has come such a long way and always remained grounded and who she is. She never compromises to follow her vision, and she is loyal. Such qualities only mark the great stars.
I've always looked up to Nicole Kidman. I think she's an elegant and talented actress. You can tell how much she commits to her characters, and I admire that.
I'd always ask my grandma, who was so, so smart, why she didn't work, and she would explain that her parents didn't approve of her working after she had children. She didn't feel like she had choices.
My mother had been an incredibly bright kid but her family couldn't afford for her to stay in education. So she lived through me. She was a very remarkable woman and I owe a huge debt to her. She was unashamed about delighting in the fact that I was intelligent, and she drove and pushed me. She was also completely indifferent to popularity.
In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others.
I can speak of actors that I love. I love Cate Blanchett, Viola Davis, her tenacity. I love Charlize Theron. She's so surprising and so exhilarating, the kinds of projects she takes on. Marion Cotillard as well.
The most exciting thing about joining EastEnders' is not only that I'll be back on the television, but I'll also be working with Maggie. I have admired her for a long time. She is one of my favorite actresses. Filming not just our first scenes but our first episode together will be like first night in the theatre - very exciting indeed.
Life had stopped for her a long time ago. She was so out of touch with her feelings that she had no joy in her life and no concept of the fact that she could be wrong. She delivered her care of her insane patients in a killing manner, but she was convinced she was right.
My mother hid the struggle from us children. She complained about her salary, and she had a tough time. Although she became a headmistress, she still had to do a lot of sewing. The more I think about her, the more remarkable I realise she was. And she understood straight away when I said that I wanted to write.
At that moment a very good thing was happening to her. Four good things had happened to her, in fact, since she came to Misselthwaite Manor. She had felt as if she had understood a robin and that he had understood her; she had run in the wind until her blood had grown warm; she had been healthily hungry for the first time in her life; and she had found out what it was to be sorry for someone.
I was the first person that had been so kind to Iman Abdulmajid. As time went on, and she became successful, signed with an agency, when she had to make big decisions, she wouldn't always talk to an agent, she'd ask me. I'd give her good advice and she'd be on her way. When I had ideas to do things like the Black Girls Coalition, I would always talk to her, she always loved my ideas. She trusts me.
Marilyn always dreamt of being an actress. She didn't, by the way, dream of being just a star. She dreamt of being an actress. And she had always lived somehow with that dream. And that is why, despite the fact that she became one of the most unusual and outstanding stars of all time, she herself was never satisfied. When she came to New York, she began to perceive the possibilities of really accomplishing her dream, of being an actress.
She wasn't ready to settle down, she told her friends. That was one way of putting it. Another was would have been that she had not found anyone to settle down with. There had been several men in her life, but they hadn't been convincing. They'd been somewhat like her table - quickly acquired, brightened up a little, but temporary. The time for that kind of thing was running out, however. She was tired of renting.
Sarah Brown is a sweetie to work with. She's a good actress. She's gutsy and she comes in and she knows her lines. She's just terrific. Sometimes I forget how young she is, because she truly walked right in and took the territory and was able to hold her own with people who've been here for so many years. To be able to pull that off [for someone who had never been on a show], I really give the woman a lot of credit. She's done great.
I didn't really know anything about Margot Fonteyn. I'd never really been a ballet child, so I had no idea what an incredibly huge icon she was, not just in terms of a creative icon - she was also a style icon. I had no idea she was up there with Audrey Hepburn and Jackie Onassis in terms of that kind of image.
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