A Quote by Danielle Cormack

My work is one of my passions, so I want to treat it with great importance, whatever the project or role. — © Danielle Cormack
My work is one of my passions, so I want to treat it with great importance, whatever the project or role.
My work is one of my passions, so I want to treat it with great importance, whatever the project or role. As any motorcycle enthusiast can probably attest to, getting your motorcycle looking and riding the best certainly holds a high rating of importance. And if I don't finish the Lego city with my son, then I meet the wrath of an extremely assertive four-year-old project manager.
I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I've always felt like we're all human beings and we're all basically given the tools to make whatever choices we want to make. How we treat other people. How we treat ourselves. Just the whole philosophy of that and the philosophical logic of that is that we're all capable of great acts of evil, and we're all capable of great acts of good.
Great passions may either bring great victories or great sorrows! In both cases, it is always a great privilege to have great passions!
I work all the time; whatever I do, I do it, and I don't necessarily look at it as work. You could say the Auschwitz project was work, or the Lowy Institute is work, or Westfield is work, or the football is work. It is life.
I want to be the best role model I can be for my family. I want my husband and I to be the ones our kids look to for guidance, to be the great role models that I had with my parents growing up, so for as hard as we work, I want our kids to see us having fun. I want our kids to know that we have to feel our bodies. And nutrition is a huge part of that.
Comfort is of great importance to me. I really want to encourage girls to dress in whatever they feel comfortable in and not get bogged down by fashion trends.
As soon as you think you can do whatever you want and you have whatever great professional in the world waiting to work with you, then you are sunk.
It was a fun film. I had a great time doing it. I was looking for a role just like that for my first movie role. I didn't want to have a starring role, because I wanted a chance to learn. I didn't want the whole thing riding on me.
I never went into physics or the astronaut corps to become a role model. But after my first flight, it became clear to me that I was one. And I began to understand the importance of that to people. Young girls need to see role models in whatever careers they may choose, just so they can picture themselves doing those jobs someday. You can't be what you can't see.
In Telugu, they treat an actor or actress with great importance, and the Kannada industry is like home for me, I feel most comfortable working here.
I want to work with Will Ferrell. I want to do, like, an action-comedy with him. How do I get the project for that? It's killing me. I've got all these great ideas, and the hardest thing is getting the material, the screenplay, you know.
I've seen a lot of friends who have a lot of great projects, whether it's a script or a play or whatever, and it is a great project and they have great people involved, and they can't make it.
Only passions, and great passions, can raise the soul to great things. Without them there is no sublimity, either in morals or in creativity. Art returns to infancy, and virtue becomes small-minded.
I'm asked all the time, 'Doesn't it feel great to finish the novel?' And the answer to that is, 'No.' It's sort of a loss to stop a 10-year project, which is an imaginary project in the sense that it's a work of my imagination.
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