A Quote by Danielle Dutton
There was a stage inside it and a crank on the outside that would rotate something, like a tiny tree carved of cork, onto the stage, and then the thousands of little mirrors would multiply that one tree so that the viewer would see an infinite forest instead.
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I would want to create an amphitheater outside of California where I would play everyday, and then people would have to come to me. I would create all this crazy stage decor and film it. Or I would just stay inside my home and do films. I would be like the modern Maya Deren.
If a painting of a tree was only the exact representation of the original, so that it looked just like the tree, there would be no reason for making it; we might as well look at the tree itself. But the painting, if it is of the right sort, gives something that neither a photograph nor a view of the tree conveys. It emphasizes something of character, quality, individuality. We are not lost in looking at thorns and defects; we catch a vision of the grandeur and beauty of a king of the forest.
I was sad to see some of them go. Like a magic lantern that would project images on walls and people would travel the countryside with these magic lanterns and tell stories. And there was this cabinet that you would walk up to and it had a little peephole and inside the whole thing was covered in thousands of little mirrors.
Once upon a time there was a crooked tree and a straight tree. And they grew next to each other. And every day the straight tree would look at the crooked tree and he would say, "You're crooked. You've always been crooked and you'll continue to be crooked. But look at me! Look at me!" said the straight tree. He said, "I'm tall and I'm straight." And then one day the lumberjacks came into the forest and looked around, and the manager in charge said, "Cut all the straight trees." And that crooked tree is still there to this day, growing strong and growing strange.
I think it happens to a lot of people who make music just on a computer by themselves, you don't see the bigger picture. You don't see the forest for the trees. You're looking at every tree so closely, and every tree looks so cool. But you're making a forest, man, you're not making a tree.
When I would be on the stage singing, I would see a movie of something that happened, I would be telling the story. I would be describing the story in sound, but my goal would be to make somebody else run their own movie.
If you could really see that tree over there," Merlin said, "you would be so astounded that you'd fall over." "Really? But why?" asked Arthur. "It's just a tree." "No," Merlin said, "It's just a tree in your mind. To another mind it is an expression of infinite spirit and beauty. In God's mind it is a dear child, sweeter than anything you can imagine.
Instead of a few hundreds of thousands of men meeting each other in war, millions would now meet, and modern weapons would multiply manifold the power of destruction.
If a tree fell in the forest, and you were the only one there to hear it; if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness?
It's always weird when you see a movie, and there's no reason for someone to, like, jump on stage and be a singer, and then they just do that... But if it came organically, I would grab that mike and jump on stage for sure.
I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."
If you daren't enter the forest, or cannot find it, then perhaps you might find one tree, or a place where a tree could be, and just stop for a quiet moment to see what happens.
One time I saw a tiny Joshua tree sapling growing not too far from the old tree. I wanted to dig it up and replant it near our house. I told Mom that I would protect it from the wind and water it every day so that it could grow nice and tall and straight. Mom frowned at me. "You'd be destroying what makes it special," she said. "It's the Joshua tree's struggle that gives it its beauty.
When you draw or paint a tree, you do not imitate the tree; you do not copy it exactly as it is, which would be mere photography. To be free to paint a tree or a flower or a sunset, you have to feel what it conveys to you: the significance, the meaning of it.
Christians, of all people, should not be destroyers. We should treat nature with an overwhelming respect. We may cut down a tree to build a house, or to make a fire to keep the family warm. But we should not cut down the tree just to cut down the tree. We may, if necessary, bark the cork tree in order to have the use of the bark. But what we should not do is to bark the tree simply for the sake of doing so, and let it dry and stand there a dead skeleton in the wind. To do so is not to treat the tree with integrity.
Lik the tree falling in the forest," says Ira. "Huh?" "You know, the old question - if a tree falls in a forest and no one's there to hear it, does it really make a sound?" Howie considers this. "Is it a pine forest, or oak?" "What's the difference?" "Oak is a much denser wood; it's more likely to be heard by someone on the freeway next to the forest where no one is.
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