A Quote by Danielle Macdonald
Actually, for me, it's really funny because I play characters with mommy issues more than anything, and I have a great relationship with my mom!
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That's give [Donald Trump] so much attention. And it's so funny. There actually have conflicting opinions on women in combat, in the military. So they have all the issues that stake. I'm more concerned with the VA than anything else.
Medicine really matured me as a person because, as a physician, you're obviously dealing with life and death issues, issues much more serious than what we're talking about in entertainment. You can't get more serious than life and death. And if you can handle that, you can handle anything.
I became an actress because my mom wanted me to become an actress. It took me until my mid-30s to realize I actually didn’t. I actually wanted to write and direct and be more involved in politics and humanitarian issues.
I became an actress because my mom wanted me to become an actress. It took me until my mid-30s to realize I actually didn't. I actually wanted to write and direct and be more involved in politics and humanitarian issues.
I've had a lot of mother figures. But by the time my mom came into my life, it wasn't a 'mommy' thing. It's more of an adult relationship.
When I was a teenager, for the most part, I had a really great, easy relationship with my mom, but there are those occasional mom/daughter things that are unavoidable. That's what makes it more upsetting and more true to life. We have great moments, and then we have terrible moments as well.
I love my mom. My mom loves me. We don't have an easy relationship. I don't think we ever will, but I'd rather have a complicated, misunderstood relationship than have no relationship at all.
When I was a kid I didn't feel like I fit in because - this is really silly and I probably shouldn't say it, but, I didn't think anything was funny. So I used to go home and literally cry to my mom and my step-dad at the time and I didn't think anything was funny. I couldn't laugh.
I love that, 'mommy-shaming.' When I was a new mom, I was obsessed with how I was being perceived and trying to fit in as a mom, going to mommy-and-me classes and things like that, and never quite measuring up to 'the real moms,' the 'robot moms,' as I called them.
I really loved making my mom laugh, and I knew that she thought that I was funny. It was really valuable, in my home growing up, to be able to have a chat and participate in a conversation and be funny. Whatever I could do to make my mom laugh could either get me out of trouble or just get me more attention or get me respect in the house.
I thought my family was really funny. Everybody in my family was funny. My mom and dad both have great senses of humor and really saw the funny in stuff, so I think that's probably where it came from. I always try to see the funny in things.
I think my weight-training proved to me more than anything that I can do anything in life if I really put my mind to it. I saw me bring myself from 137 pounds to 175 pounds over a seven-year period. That alone said to me that all you have to do is really stick with something, and you can accomplish anything you want. It's brought me great self-esteem because I know I did it. I changed me.
In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
For many characters, the prospect of having a child in their life brings up a lot of issues about their own parents. And who doesn't love that? Bad mommy or daddy issues are a delicious staple in romance novels.
The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.
I think, ultimately, the problem with something like this is that you actually have so many more opportunities to say something than you actually have things worth saying. And then, as an artist who doesn't want to do bad work, gosh, how do you fill up all that space when you really don't have anything actually worthwhile to say? And that's what makes the job tough, because the fans get mad - "That's not funny," or "You've been sucking for several months now." And you go, "It's not my fault! I'm trying."
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