A Quote by Danielle Panabaker
I have a really hard time watching my sister act in anything, but especially anything where it's a strong emotion.
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I have a really hard time watching my sister act in anything but especially anything where it's a strong emotion. Whether she's crying or she's angry or she's - whatever emotion she's feeling I actually think that she's feeling it and I want to hug her and make it all better.
It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will.
Beautiful women seldom want to act. They are afraid of emotion and they do not try to extract anything from a character that they are portraying, because in expressing emotion they may encourage crow's feet and laughing wrinkles. They avoid anything that will disturb their placidity of countenance, for placidity of countenance insures a smooth skin.
Once upon a time there were two sisters. One of them was really, really strong, and one of them wasn't.' You looked at me. 'Your turn.' I rolled my eyes. 'The strong sister went outside into the rain and realized the reason she was strong was because she was made out of iron, but it was raining and she rusted. The end.' No, because the sister who wasn't strong went outside into the rain when it was raining, and hugged her really tight until the sun came out again.
Anything that exists on a time basis - that has a beginning, middle, and end, because you start watching it and then you're in the middle of watching it and then it ends - anything linear, for me, is narrative.
I would say I'm a humanist. I like that. I mean, I don't claim to know anything, but I'm curious about it all. I'm always fascinated when people really fervently believe, because I have such a hard time believing anything.
Theater schools teach you how to act, but they don't teach you anything about the business, so I got to New York, had no idea what the hell I was doing, and just did anything I could for a really long time.
It’s not only about sadness. In truth, sadness really has little to do with it. Depression is pain in its purest form and I would do anything to be able to feel an emotion again. Any emotion at all. Pain hurts, but pain that’s so powerful that you can’t feel anything anymore, that’s when you start to feel like you’re going crazy.
You must be really bad, because it is a puzzle. Creating anything is hard. It’s a cliché thing to say, but every time you start a job, you just don’t know anything. I mean, I can break something down, but ultimately I don’t know anything when I start work on a new movie. You start stabbing out, and you make a mistake, and it’s not right, and then you try again and again. The key is you have to commit. And that’s hard because you have to find what it is you are committing to.
When I am most successful as a guitar player is when I'm able to just sort of lose myself. You stop thinking about technique or anything like that and just trying to evoke the emotion of that song brings, which is a very strong emotion for me.
It wasn't anything that I thought I was going to be - a singer or an actor or anything like that. I really started acting just because I loved it, and it was more from a need to act and express myself.
I really do love the Muppets. My sister used to call them the Muffets. She'd be like, "Can we watch the Muffets?" So anything that reminds me of how adorable my sister was, I'm a big fan of.
The only time you ever have in which to learn anything or see anything or feel anything, or express any feeling or emotion, or respond to an event, or grow, or heal, is this moment, because this is the only moment any of us ever gets. You're only here now; you're only alive in this moment.
There's everybody in the world who is always trying, time and time again, to proclaim the death of rock, or hard rock and heavy metal. Not if I have anything to do with it, not if we have anything to do with it.
I'm really visually stimulated more than anything. I don't really listen to music. I'm more into watching telly or watching movies and visual art.
I want hard stories, I demand them from myself. Hard stories are worth the difficulty. It seems to me the only way I have forgiven anything, understood anything, is through that process of opening up to my own terror and pain and reexamining it, re-creating it in the story, and making it something different, making it meaningful - even if the meaning is only in the act of the telling.
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