A Quote by Danielle Steel

If you let anything infringe on your writing time, it will. And you won't get the writing done. Taking one day off can cost me five days of getting back in the mood. Going out to lunch can cost me anywhere from five hours to three days. And for me it's not worth it. For my own sense of well-being I have to finish my work before I can play.
I still work out most days. When I do it, I go full blast five or six days a week, two to three hours a day. I enjoy it. It's therapeutic for me.
It's a job. When I'm writing I'm going to do it five to six days a week and I'm going to work for four to six hours a day. There's no magic writing fairy. It's just hard work.
No matter what the weather was, I would practice for five hours every morning and evening, seven days a week, three hundred and sixty-five days a year. It was this disciplined routine that moulded me into the athlete I became.
While writing is a mystical process, it's also work. If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
I'm not someone who can be depended one five days a week. Monday Tuesday Wednesday Thursday Friday? I don't even get out of bed five days in a row-I often don't remember to eat five days in a row. Reporting to a workplace, where I should need to stay for eight hours-eight big hours outside my home- was unfeasible.
The cost of the vaccine is truly minuscule when you think about the benefits you're getting from an opportunity-cost standpoint. If you're going to miss several days of work - and you will - with high fevers, body aches, nausea, and vomiting... you're going to be losing out on a lot more money and productivity if you don't get the flu shot.
I had five dollars in the bank that I couldn't have for three days until they charged me another 15. Leaving me with -10. What does that mean? I don't even have no money any more. I wish I had nothing. But I don't have it. I don't have that much. I have not ten. Negative ten. I can't afford to buy something that doesn't cost anything. I can only afford to get something that costs you give me ten dollars.
If things are going well I can easily spend twelve hours a day writing, but not writing writing, just thinking and revising and taking a comma out and putting it back in.
A five-hour flight works out to three days and nights on land, by rail, from sea to shining sea. You can chalk off the hours on the back of the seat ahead. But seventy-some hours will not seem so long to you if you tell yourself first: This is where I am going to be for the rest of my natural life.
When I'm writing, which is 8-9 months out of the year, I'm in a concerted writing pace, where I work 5 days a week for at least a few hours a day, maybe a little bit more. But I won't work for more than 2 hours at a time. I'll work for a couple hours and take a break.
If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
One of these days you're going to a mansion that isn't going to cost you anything!-No upkeep, no expense, absolutely nothing except what it's already cost Jesus!-And it will be commensurate with your works on Earth, what you already paid for it down here.
I was in hospital for eight days and when I came home I probably slept for 18 to 20 hours a day for the first four or five weeks. Breakfast would tire me out. Just getting up to sit at the table would be exhausting. I couldn't physically do anything.
The ideal time for writing a [television] script is four days, though sometimes it has to be two or three days depending on the deadline. If it's two days, sometimes there are things I see that don't work as well. If I have two weeks, the scripts get kind of flabby and lack the adrenaline that a sense of deadline fills you with.
Usually, I work every day, seven days a week. When I go three days without writing, my body aches with anxiety; my mood is irritable. My night dreams grow wild with unconscious invention.
I start out to write five days a week, and then it runs to six days and finally seven. Then, eventually, that wave of weariness overwhelms me and I don't know what's the matter. That is, I know but I won't admit it. I'm just tired from writing. As you get older, writing becomes harder. By that I mean you see so many more potentialities. Things like transition used to trouble me. But not any more. When I say it's harder, I'm not talking about facility. You learn all the so-called tricks, but then you don't want to use them.
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