There was a Yale even before Larry [Kramer] and I got there, and there were three designations of students: "white shoe," "brown shoe," and "black shoe." "White shoe" people were kind of the ur-preppies from high-class backgrounds. "Brown shoe" people were kind of the high school student-council presidents who were snatched up and brushed up a little bit to be sent out into the world. "Black shoe" people were beyond the pale. They were chemistry majors and things like that.
I was not "shoe." That's a misuse of the term "shoe," which is derived from "white shoe."
Air Forces 1s just got that vibe when you're walking in them, it's like, this is a shoe shoe.
There have been times where you do the red carpet in a certain shoe, and you go into the bathroom, you take that shoe off, you put the other shoe on from your purse, and then you walk around for the rest of the night.
When you sketch a shoe but don't have the intention to do a proper shoe, it remains a curvy sketch with no detail. The shoe completely morphs to the body.
You want to fall in love with a shoe, go ahead. A shoe can't love you back, but, on the other hand, a shoe can't hurt you too deeply either. And there are so many nice-looking shoes.
I don't consider what you're wearing when I design a shoe. I don't have a particular look in mind or make a shoe thinking, "This would look great with a blue pinstripe suit." I just let you dress yourself. I'm looking at the shoe itself, not as a component of an outfit.
I rarely buy a shoe that is completely specific to a time and outfit. I generally tend to spend money on good shoes that can go with everything.
For me, to just have my own shoe is unbelievable. As a kid, you see Jordans and wonder what that feels like to have your own shoe, and the fact that I have one is really surreal.
My shoe has been going through evolution, and we having great feedback from the 1 to the 2 and the 2.5's, so I think just consistency. The biggest thing I wanted to accomplish was a shoe that basketball players loved and felt like they have an advantage out of.
You get two weeks after you do a shoe where you can test whether it's good or not - if you're going to like it in 20 years. Then I know that it's going to be my shoe for a long time. That doesn't happen very often, but it happens.
I grew up at this incredibly odd intersection in Los Angeles, where it felt like the black 'hood met black elegance met white gentrification met Latin culture met wetlands.
I have rarely met a musical I haven't liked.
You look at guys on the court, man. You got this guy with this brand of shoe, and this guy with this brand - they're just wearing the shoe. But it's a whole different feeling when you got a shoe on, and it's yours.
I always want my shoes real clean. The front of my shoe is really like my personality, where off the court I'm kind of calm and kind of shy a little bit - low key. In the back, it's kind of crazy, just like me on the court. I love how both of my personalities are involved into the shoe.
I like Cinderella, I really do. She has a good work ethic. I appreciate a good, hard-working gal. And she likes shoes. The fairy tale is all about the shoe at the end, and I'm a big shoe girl.