A Quote by Danielle Steel
I think people face that in any artistic field, this idea of: oh, I could do that, if I had the time.
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Personally, I have had sometimes moments where I thought my idea behind the idea of a collection - the concept maybe - something that we don't see at the end on the catwalk, I think the way it was, the genesis in my mind, was probably artistic, an artistic approach.
Designers are more like artistic directors now. Before, there wasn't this idea of supervising the artistic direction of the entire house. The old way was to think you could be this couturier or designer or stylist.
All of the good things that surround art - you have to embrace the idea that it could be a complete disaster. I think that's what gives it its artistic sparkle is that it really could crash and burn at any moment because you're going out on a limb and being very personal.
I had no idea it was going to be like this. People come up to me all the time, but it's never, 'Oh, you're Sheryl Lee.' It's, 'Oh my gosh, you're Laura Palmer.'
I had no idea if I could fight when I first started. My first four amateur fights, I had never even been punched in the face or trained of any kind.
She encouraged any artistic impulse I had, and my father discouraged any artistic impulse I had. They took out their problems with each other on me and my sister.
I don't think that artists of any kind would or could sacrifice their artistic freedom by being more responsible with their influence on people, especially young people.
I had an idea to write something set back around the Civil War era, but I was just way too ignorant to think I could start it any time soon.
When I was growing up, I had no idea that I could possibly become a writer. I wrote endlessly in journals - a practice I maintained for a long time, well into the writing life I had no idea I could ever have.
I think women who are pretty certainly have an advantage in any field, in any profession. When a girl is born people still say: Oh, I'm glad that she is pretty. They don't look at whether she is intelligent.
People sometimes ask who I would cast in my books and I never have any idea. I don't think I could ever write a book thinking of it as a movie the whole time. This would be like building a house and filling it with furniture just so you could have blueprints.
Sitting in the movie theater watching "Star Wars," I've never had an experience with any form of entertainment that was like that. It was almost spiritual. I couldn't believe that someone's mind created that. And, right, it felt like George Lucas had a piano that was playing my emotions, and he could go ahead and do whatever he wanted and make me lean forward if he wanted, or he could make me go oh, or he could make me hide my face.
I was always a visual person. I could see things visually. I had a harder time with numbers and logic, and I always had more of an artistic sensibility. So that I could do. And it was something that I really loved.
Any time you make an analogy to horrific people in history, Mussolini or Hitler, people say, 'Oh, you're exaggerating, you're talking about, it's hyperbole.' Maybe it is. ... But I would say is that if you are not concerned that democracy could produce bad people, I don't think you're really thinking this through too much.
I remind you again we had those elections [in Afghanistan and Iraq] because we had boots on the ground and we had people that could help people, and we had people on the ground that could get into somebody's face when they had to, and do whatever was required.
Her face ... was a one-of-a-kind, a surprising variation on a familiar theme - a variation that made observers think, Yes - that would be another very nice way for people to look. What Beatrice had done with her face, actually, was what any plain girl could do. She overlaid it with dignity, suffering, intelligence, and a piquant dash of bitchiness.
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