A Quote by Danielle Steel

If it's meant to be, they'll find a way to make it work eventually. — © Danielle Steel
If it's meant to be, they'll find a way to make it work eventually.
Sometimes, you turn back. Sometimes, you walk away. And sometimes, you find the place you're meant to be, and you stay there. You find a way to make it work. Whatever it takes.
Eventually, we need to have computers that work differently from the way they do today and have for the past 60-plus years. We're capturing and generating increasingly massive amounts of data, but we can't make computers that keep up with it. One of the most promising solutions is to make computers that work more the way brains work.
I think that no matter what you do, whether you rodeo, whether you work in an office, you work in the oilfield or you play music for a living, eventually if you do enough of it, the devil in the back of your head tries to turn it into work. You have to find new ways to make it new and make it exciting to keep that drive there.
Every small business will give you an entrepreneurial way of looking at things. I guarantee you that for every plant that closes, if you gave it to one small-business person in that community, he or she would find a way to make it work. The small-business attitude is you always find a way to make it work.
I am straight forward; I am not manipulative; I am not two-faced. And I think that that has served me well in all of my roles, particularly as a diplomat, because people knew if I said something, I meant it. If I said no, I meant no, and if I said we could make this work, we would make it work.
I always thought, 'That's just the way you do it.' You work as hard as you can for as long as you can, and the small gains you make will eventually pay off.
I find that you can use an acting technique when the thing isn't working, not that you make the technique the end result of your work. You use the technique when you're in trouble and things aren't flowing the way they should. It's a way of fooling yourself to make it work again.
I can work a lot faster when I'm writing a screenplay than when I'm writing a play because, if I'm having a problem with a scene or something, I can just be writing it in a way where there's no dialogue, or find a way to make sound do the work that I want to do or a close-up do the work that I need to do.
That is the trouble with many inventors; they lack patience. They lack the willingness to work a thing out slowly and clearly and sharply in their mind, so that they can actually "feel it work." They want to try their first idea right off; and the result is they use up lots of money and lots of good material, only to find eventually that they are working in the wrong direction. We all make mistakes, and it is better to make them before we begin.
Your work is to find healing. And I find, for me, it's a little bit at a time, and eventually it's barely there. And the journey is finding what works for you and doing it.
Christmas music is usually more concentrated pop music in a way. It's meant to make us feel good, and it's meant to make us like we belong somewhere.
Basically, a manager's job is to make other people more productive. What's one really good way to do that? Do the work that is getting in their way. Which means find out what kind of important work your developers dislike the most, and do it for them.
My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
I myself believe that there will one day be time travel because when we find that something isn't forbidden by the over-arching laws of physics we usually eventually find a technological way of doing it.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
Important lessons: look carefully; record what you see. Find a way to make beauty necessary; find a way to make necessity beautiful.
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