A Quote by Danielle Trussoni

Stories of a mythical angel paradise called an Angelopolis are like Peter Pan's Never Never Land. — © Danielle Trussoni
Stories of a mythical angel paradise called an Angelopolis are like Peter Pan's Never Never Land.
Operation Peter Pan spanned from 1960-62 whereby over 14,000 children were sent away from their families in Cuba, some never to reunite again. Pan Am flights took the children to Miami FL, 'Never-Never Land', and the children became known as the 'Peter Pans.' I wrote this song for my daughter, and it is sung for all the daughters and mothers, fathers and brothers who felt this pain of separation all because of governments and their politics.
All over the walls of my room are pictures of Peter Pan. I've read everything that Barrie wrote. I totally identify with Peter Pan, the lost boy from Never Neverland.
I heard my name associated with the Peter Pan syndrome more than once. But really, what's so wrong with Peter Pan? Peter Pan flies. He is a metaphor for dreams and faith.
[Peter Pan] has never broken his terrible habit of eavesdropping. So, maybe that wasn't the rustle of pages you heard while this story lasted, but Peter Pan himself, listening in. In exchanged for a story of yours, he might show you his most prized possession: James Hooks' map of Neverland. In exchange for a smile, he may show you Neverland itself.
We cannot forget about Rachel Maddow. She is the Peter Pan of MSNBC. But instead of never growing up, she never gets to the point.
My first acquaintance with 'Peter Pan' was back when I lived in South London. I was at art school, and I needed to earn money, so I got a job as a stagehand at the Wimbledon Theatre, and 'Peter Pan' was on tour there with Donald Sinden, who was playing Captain Hook.
When I was about six or seven, I did this character reenactment performance where I read a monologue from 'Peter Pan.' I got into a complete Peter Pan outfit and did a little paragraph from the script - and I ended up winning an award for it.
I never realized until recently how much my life parallels Peter Pan.
Jane Austen is the feminine Peter Pan of letters. She never grew up.
I am Peter Pan. He represents youth, childhood, never growing up, magic, flying.
I'm so excited to be appearing in 'Peter Pan.' It really is an extraordinary production, the like of which Wembley has never seen before. It's a big, bold arena extravaganza and festive treat with something for everyone.
When I wrote 'The Shadow Thief,' I had an obsession with Peter Pan. I get focused on things. In fact, I was an absolute horror to live with at that stage. I had a big fight with my mum because I wanted her to change the windows so Peter Pan could visit me.
'Peter Pan' is a beloved property. It's a property that was brought to the screen many, many times before, so one has to not only justify the reasons why one might make a 'Peter Pan' movie in 2018, 2019 or whatever, but you also have to do justice to the source material.
I got stuck on the Peter Pan ride when I was nine years old with my dad at Disney World. We got stuck on that part of the ride when you're suspended in the pirate ship above the miniature London, and I was fascinated by the why of it all. 'Why is Peter Peter Pan, why is he in Neverland, how did he learn how to fly, etc.?'
Literature is conscious mythology: as society develops, its mythical stories become structural principles of story-telling, its mythical concepts, sun-gods and the like, become habits of metaphoric thought. In a fully mature literary tradition the writerenters intoa structure of traditional stories and images.
I've never spoken with an angel, though one time I felt the awesome weight and glory of God's presence in an angel in my bedroom as I kneeled in prayer. I kept my eyes closed, good Baptist that I was at the time, so I never knew if it was an angel. (I now am reasonably confident it was.)
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