A Quote by Dannie Abse
The theme of Death is to Poetry what Mistaken Identity is to Drama.
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I think when people talk about lighter drama, they tend to use that term, not derogatorily, but 'lighter' means sort of less to a degree, but if you're an actor, light drama is often mistaken for easier drama.
Ever since I was a child, I always had insecurity or suspicions about my own personal identity. That's why I started going to a lot of movie theaters, because I felt more comfortable there than at school. Now, the search for a personal identity is becoming a common topic for young Japanese people, and it's a big theme in their own lives. But it's been a theme in my life, as well, ever since I was young.
I believe the death of Bobby Kennedy was in many ways the death of decency in America. I think it was the death of manners and formality, the death of poetry and the death of a dream.
I have been writing poetry ever since I was in high school. My poetry mainly concerned the theme of love. And that, of course, is an endless subject.
Life is not a theme park, and if it is, the theme is death.
Winning or losing an argument, receiving an acceptance or rejection, is no proof of the validity or value of personal identity. One may be wrong, mistaken, or a poor craftsman, or just ignorant - but this is no indication of the true worth of one's total human identity: past, present and future!
He who has a mistaken idea of life, will always have a mistaken idea of death.
I've always been a big fan of Philip K. Dick; I love his work. There's a returning theme of identity and the fragility of our identity. Even when we are looking at what we think is a stark reality, it might actually be something completely different.
I’m a poet. And then I put the poetry in the drama. I put it in short stories, and I put it in the plays. Poetry’s poetry. It doesn’t have to be called a poem, you know.
What difference, if you are mistaken? For if I am mistaken, I am. For he who is not, assuredly cannot be mistaken; and therefore I am, if I am mistaken. Therefore because I am if I am mistaken, how am I mistaken that I am, when it is sure that I am, if I am mistaken.
What is your trouble? Mistaken identity.
The whole campaign was a tragic case of mistaken identity.
I have a hard time isolating what it is in myself that makes me so fascinated with the theme of identity, because I came from a normal upper middle-class family. And yet, as I look back at my books, the uses of power, issues of identity, they have - it's recurrent. It happens again and again.
You cannot dissociate birth from death, creation from destruction, good from evil. Thus any art is a form of drama standing between the two extreme poles of birth and death, just like life is drama. This is not sad, because to be alive means to be mortal, to pass through.
The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.
I'm a theological writer mistaken for a political writer. My theme is grace versus karma.
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