A Quote by Danny Amendola

I like to go full speed all the time. — © Danny Amendola
I like to go full speed all the time.
There was a contact between a football player and a cheerleader, male I might add. That male cheerleader clipped me from the side as I was running full speed, or slower than full speed, but generally, in the upper quadrant of speed. And I hit the ground pretty good.
I should like to be a full-time Mother and a full-time Artist and a full-time Wife-Companion and also a 'Charming Woman' on the side! And to be aware and record it all. I cannot do it all. Something must go - several things probably. The 'charming woman' first!
I used to look at my team-mates like Lindsay Johnson and Rachel Brown, who were full-time teachers and trained in the night. I was like, 'I'm not going to do that.' I always believed I'd go full time.
I don't purposely speed, but I might go over by five or six miles an hour from time to time. It doesn't give me a buzz driving on normal roads, because I can't go fast enough. It's never going to be anything like an F1 car.
Speed kills colour... the gyroscope, when turning at full speed, shows up gray.
I have the biggest weapons in my hands. I can go a full 12 rounds at high speed.
Go-go is so drum and Congo based. It's almost like music from Africa. The drums like on 'Planet Paradise' are deeply African-rooted. It's really bouncy and the same speed as go-go music. That's an example of the influence go-go had on me.
I might go play the LPGA full-time and then, after I get better, go to the PGA full-time. Or just try to play both. It will be fun.
When players go out and train on their own, they usually do it at half speed. This kind of training is valuable, but it doesn't prepare you for competition, where you must perform at full throttle. So the trick is to schedule regular sessions of intense practice, while always leaving time to juggle and generally goof around with the ball
I try to present something that is full of time. Not timeless, but full of time. I never like a work where we try to update it, but it's still not interesting to see a work that is dated. If one is successful, then a work can be full of time. And time is very complex.
It's one thing to be 100 percent and go out and play football feeling great. It's another thing when you're not feeling good. You're sick, or you got a nagging injury, and you gotta go out in the cold and go across the middle where a guy's coming full speed at you trying to kill you.
Speed is the form of ecstasy the technical revolution has bestowed on man. As opposed to a motorcyclist, the runner is always present in his body, forever required to think about his blisters, his exhaustion; when he runs he feels his weight, his age, more conscious than ever of himself and of his time of life. This all changes when man delegates the faculty of speed to a machine: from then on, his own body is outside the process, and he gives over to a speed that is noncorporeal, nonmaterial, pure speed, speed itself, ecstasy speed.
There's a lot of things that go into scoring touchdowns and leading your team. It's not just the game itself, but going back and studying tape to pick apart everything I did. It's nice to have something to go on, doing it full speed in a game situation.
The only time I've ever been knocked out in my entire life was in a rugby game when I was about 13. I used to play on the wing. The opposing winger has the ball in his hand and he's running full speed at me. I go down to tackle him and he jumps up and his knee hits my temple.
If there's one thing that fans like to see, it's a player who can run at full speed towards the goal.
When you're doing a play you get to go full speed ahead, all night, in front of an audience. It's a roller-coaster ride, responding to other actors, it feeds you.
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