A Quote by Danny Amendola

Whatever my role is on each play, that's just what I have to do. I have to do my job. That's pretty much it, regardless of whether it's inside or outside. — © Danny Amendola
Whatever my role is on each play, that's just what I have to do. I have to do my job. That's pretty much it, regardless of whether it's inside or outside.
How many understand that Nature is the essential character of whatever is. It's something you'll find by looking not at, but in, always in. It's always inside the thing, and it makes the outside. And some day, when you get sufficiently proficient in understanding the use of the term, you can tell by the outside pretty much from what's inside.
I know that I want to concentrate more on my inside-pretty than my outside-pretty, because thats gonna go away. But if your inside is beautiful, it never wears away. The light always shows on the outside if you are striving to be good inside.
Starting, coming off the bench, whatever it may be, I feel I can adjust and I can play pretty much any role that I'm put in.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?
I like to just have fun and be silly and say pretty much whatever comes into my mind, do pretty much whatever I want.
Music is a universal thing with no boundaries, whether you play inside or outside.
I just play, just you know, If i just sit down with the guitar and just do whatever for, you know, an half an hour or an hour whatever. That's pretty much, that should do it for me.
Anytime I float by a window, I can tell whether the outside is lit or if it's dark outside. When we're working it's just day for us with the lights on inside.
To me, any character that is conflicted inside as well as outside of themselves is always a better role to play.
I see myself used in terms of reading mismatches. If it's small, go inside. If it's big, come outside. And if it's in between, then work him, make him think you're going outside, go back inside. Just play chess.
I wake up, I'll scramble some eggs, cook some bacon, have a few pieces of toast, yogurt, smoothie, whatever it might be. I'll then workout, whether it's outside, inside, bike, weights, whatever I have access to, however creative I can be.
Everybody past a certain age, regardless of how they look on the outside, pretty much constantly dreams of being able to escape from their lives.
When I hire musicians, I look for that first: every time they sit down do they go for it, you know? And do they try to learn the music and try to get inside the song whatever the tune is? Whether it's my originals or someone else's, it's just whether or not they're gonna play their hearts out, first and foremost.
I'm a guy that is willing to do whatever it is for the team, whether it is a kick returner, whether it be a punt returner, whether it be running down on kickoffs, whether it's line up in the slot, whether it's run a dummy play, fake play.
The outside of any building may now come inside and the inside go outside, each seems as part of the other. Continuity, plasticity, and all the new simplicity the imply have at last come home.
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