A Quote by Danny Amendola

I'm just encouraging students to read. It's something you can do daily. It's something you can do whether you're sitting at home reading a newspaper or ordering something online. It's endless.
I think it works if there's something online that is not in the show, or in a newspaper, if there's some added value to it - reading a newspaper on line, sometimes you can get video, which you can't get from reading a newspaper.
Something like reading depends a lot on just having people around you who talk to you and read you books, more than sitting down and, say, doing a reading drill when you're 3 or 4 years old.
I read everything I could find: books and online. Sometimes bigger revelations came to me through finer details or something that you wouldn't pick up just by surface reading.
People are so used to reading novels now, they just read a poem straight through to get the meaning. And that's something totally different from the slow way you read something if it's a tune; which to me a poem has to be.
I always say that, to me, it starts with reading. This is something I tell high school kids, college kids, people trying to get into the business, that it's just so much about reading. Read, read, read. So much of everything else falls into place when you just do a ton of reading.
I couldn't believe just how emotional I was about the London Olympics. Before the Games even started, I was reading a newspaper sitting in a hair salon and my mom looked over at me and I was just sobbing, because something about seeing the rings and hearing the athletes' excitement and just kind of knowing exactly what they were going through.
I enjoy the song writing process more than anything. It's what I like the most, just sitting in my room with guitar or at the piano or something. Just making something up, something that's not there, that suddenly is there.
I stopped reading William Faulkner because it's hard work. I want to read a good writer, but I also want to read something where the pages are going to move along. That's what I want. It doesn't have to be a thriller or a mystery. Just something where I get caught up in the story.
Sometimes the reading is related to something I do, sometimes it's not. I feel like every time I read something, there's a quote or something that comes [into the work] later. There's nothing that happens by coincidence. It's fate, I would say.
My daily surroundings feed my work, whether it's something I'm working on right now or it's something down the road.
To read a newspaper is to refrain from reading something worth while. The first discipline of education must therefore be to refuse resolutely to feed the mind with canned chatter.
We always talk about how everyone is unifocal. You can't possibly be interested in jazz and Beethoven. Of course you can. You can't both be reading a newspaper and be online. Of course you can. We shouldn't be obsessed with a gun to your head, 'You either read a newspaper or die!'
That I can read and be happy while I am reading, is a great blessing. Could I have remembered, as some men do, what I read, I should have been able to call myself an educated man. But that power I have never possessed. Something is always left--something dim and inaccurate--but still something sufficient to preserve the taste for more. I am inclined to think that it is so with most readers.
All of a sudden, if I can't go cycling, I have to do something else for five hours - I can't do anything for five hours! It just means sitting at home trying to work out something to do. It's just not me, it doesn't feel right.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
Sometimes I'll be reading something online and just get so frustrated because of what people are saying.
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