A Quote by Danny Brown
I'm from my hood, and everybody knows me in my neighborhood, and that's cool, I can do what I want over there, but in other people's neighborhoods, I can't.
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I speak to everybody. I'm one of those kind of artists that I'm cool with everybody. If they [fans] want to meet me, it's cool. That's as far as it goes. But I'm the cool artist. I shake everybody's hand, try to sign all the autographs, take pictures when I can.
As of late, 'Boyz n the Hood' really impacted me because I grew up in that same neighborhood. It was the first time I saw a true reflection of me, my neighborhood and my surroundings.
Everybody knows that the dice are loaded, Everybody rolls with their fingers crossed, Everybody knows that the war is over, Everybody knows the good guys lost.
I lived in an all-black neighborhood, followed by an all-white one, and other kids in the always called me Mexican in both neighborhoods.
What I want to do right now is give hip hop back to the hood. Before it was a neighborhood thing where it belonged to the hood and the rappers were reporting and there were rules and parameters. Now it seems like the artist's game.
Cool is spent. Cool is empty. Cool is ex post facto. When advertisers and pundits hoard a word, you know it's time to retire from it. To move on. I want to suggest, therefore, that we begin to avoid cool now. Cool is a trick to get you to buy garments made by sweatshop laborers in Third World countries. Cool is the Triumph of the Will. Cool enables you to step over bodies. Cool enables you to look the other way. Cool makes you functional, eager for routine distraction, passive, doped, stupid.
Everybody knows that the boat is leaking. Everybody knows the captain lied. Everybody got this broken feeling, like their father or their dog just died. Everybody talking to their pockets. Everybody wants a box of chocolates and a long-stem rose. Everybody knows.
I've been into fashion since birth. I grew up in the 'hood, and everybody in the 'hood wants to compensate for being in poverty, so they want to look good to keep themselves up.
Now, everybody knows my music. So that's really cool. A lot of kids know it. Now, when I go to a sports game, everybody knows my name.
The way that you empower the poor to be able to live in those neighborhoods is not to just move them and give them something, give them the better neighborhood. You have policies that allow them to get out of the neighborhood permanently and afford that neighborhood through hard work.
I'm from the hood. You put me in a rough neighborhood and believe me, I'm OK.
For most people, they only thing they know about bobsled is 'Cool Runnings.' Well, 'Cool Runnings' was, of course, four men in a bobsled, and four-man is considered the highlight of our sport. It's what everybody knows. It's what everybody watches. And it's the big dog of our sport.
I think our everyday coded language around 'good neighborhoods' and 'bad neighborhoods' is what allows for tremendous violence to happen... When you label a neighborhood 'bad' and avoid it, then you don't know and don't see what goes on there. And there's no human face to interrupt that narrative.
Neighborhoods built up all at once change little physically over the years as a rule...[Residents] regret that the neighborhood has changed. Yet the fact is, physically it has changed remarkably little. People's feelings about it, rather, have changed. The neighborhood shows a strange inability to update itself, enliven itself, repair itself, or to be sought after, out of choice, by a new generation. It is dead. Actually it was dead from birth, but nobody noticed this much until the corpse began to smell.
St. Louis has a lot of weird food customs that you don't see other places - and a lot of great ethnic neighborhoods. There's a German neighborhood. A great old school Italian neighborhood, with toasted ravioli, which seems to be a St. Louis tradition. And they love provolone cheese in St. Louis.
That was my experience with everybody in the book. That was what was so cool. It's just an excuse to hang out with people. It's not for a movie; it's not for a magazine. No one's here telling us what to do. We're at my house shooting. I just get to go, "What do you want to do today?" We're only there because we want to be there because of each other. There's no other reason.
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