A Quote by Danny Carey
Every record I've ever done with Tool has been on tape.
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We get real picky about frequencies. Put it on a tape, start on tape, and it's kind of locked to how it sounds. Which would have been a very interesting thing to have done, but we were very aware that we wanted a bizarre kind of production value on the record.
I've been in a lot of shows, I will say that. Every once in a while, I'll look at a tape of something I've done, and I won't even remember having done it.
Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.
Pretty much every record I've ever done, I can go back and listen to them and be proud. I'm proud of everything I've done.
No matter what anybody thinks about any of them, every record I've done has been done with the same amount of care, anguish, pain, suffering, and joy.
Brazilian music has been a part of almost every record I've done, and I'd eventually like to record an entire album of Brazilian music.
I guess my life has been a series of flukes in the record business. The first thing I ever did, was the biggest record that I'll ever have.
I guess that my life has been a series of flukes in the record business. The first thing I ever did was the biggest record that I'll ever have.
I couldn't afford to go to the record store to buy new tapes, so I'd tape everything off the radio. Just hit record when my song came on. I used to take my mom's tapes and tape over them. I had a nice little collection. Had my own Stephen Jackson mixtapes off the radio!
Science is not perfect. It's often misused; it's only a tool, but it's the best tool we have. Self-correcting , ever changing, applicable to everything: with this tool, we vanquish the impossible.
Concerning iTunes, the deals have mainly been done with the record companies. But the artists, with some exceptions, haven't been very well-represented. This is partly because the record companies have largely been copyright owners.
We may not be proud of every song we've ever done - or been forced to do - but I believe we've done more than meets the eye.
Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And that process is continuing day be day and minute by minute. History has stopped. Nothing exists except the endless present in which the party is always right.
20-some years ago, I'd have a big old radio with a tape deck, and I'd hit record and try to get something down on the tape, but nowadays, I can use my handy little smart-phone; I sing into the app for voice memo.
I find the songs I want to record by listening to as much music as I can. 'When I hear things I really like, I ask the writers to send me a tape of everything they've ever written.
I had every intention of 'Bloodflowers' being the last Cure record. I thought it would be fantastic to finish with the best thing we'd ever done, but I wasn't sure we could pull it off.
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