A Quote by Danny Carey

We got full artistic integrity and autonomy over what we were doing, and that was the main important thing that kept our band alive. — © Danny Carey
We got full artistic integrity and autonomy over what we were doing, and that was the main important thing that kept our band alive.
I finally got to junior high and I got to start saxophone. There were a few of us that were in the beginner band in sixth grade that made it to the advanced band, which was called the morning band at our junior high school in Staten Island.
The nature of life is to be a study of contrasts: joy/sadness, full/empty. The Main Thing is to Keep The Main Thing The Main Thing.
The band is a living, breathing thing. It grows in the same way we do as human beings and if it doesn't, it dies. It's important to feed the organism, and one way of doing that is to set musical challenges that keep it alive.
When I was in high school, my parents had this power over me - if I ever lied or got caught doing something that I shouldn't be doing, then I would no longer be able to go to LA and continue to pursue the acting thing. So that was this sort of looming thing they could had over me that just sort of really kept me in check throughout those formative years where you would typically be lying and doing bad stuff.
The most important thing is that it's much more fun to play in a band than to be in an audience in a club. That's the main thing I think, that you can do it.
Put crudely, one is left with a choice between two unsatisfactory combinations: artistic integrity married to spiritual compromise; and spiritual integrity married to artistic banality-or, worse, art compromised on both counts. Neither one will satisfy those who recognize the fundamental necessity of integrity in both faith and art.
I had this strange belief, perhaps naively, that somehow, if I kept working hard, and I kept doing it with integrity, that I would get my chance.
It always felt like you were trying too hard to look like the audience or something. That whole thing about the artistic integrity, which, of course, I've never bought into - with any artist. It's just not a real thing.
I'm really grateful for the fact that I have full artistic control over my career. I can choose what film or TV projects I'm interested in doing.
The thing about it is almost everyone could pass that way, but we were kept from doing it by our coaches.
When I was 17, my main goal was to be in a band and travel the world. I ended up getting to do that with my old band Hey Monday. I got to see the world and learn how to tour, and the next thing I knew, I was on 'The Voice.' So it was just a crazy, crazy ride.
There's no place for Depeche Mode and the Sisters of Mercy in the music I make with my band. If I was a fan, I wouldn't want to hear that on a Black Veil Brides record. It was important for me and for the integrity of the band not to tarnish it.
This guy kept telling us that rock was the big thing, everyone's talking about the big thing, our band was the big thing. So he made us change our name to The Big Thing. Can you believe that?!
Fans were booing me at one point. I just kept working, that's the main thing. I'm not going to let that deteriorate my game.
We are diverse, big time. Sully is the main man, which makes sense as the lead man of the band. Tony and myself are quiet; I need to be begged to do these interviews. But it comes down to being a team, that is the main thing. Knowing, understanding and accepting our roles.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
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