A Quote by Danny Carey

It's pretty weird to me that our music is as popular as it is. — © Danny Carey
It's pretty weird to me that our music is as popular as it is.
It is against the spirit of our non-discriminating times to openly prefer one sort of music to another, so let's just say that hearing grand orchestral music in a public place is exhilarating in a way that hearing popular music never can be, if only because, in a popular music age, a full orchestra is less familiar to our ears.
Me, l'm a weird person, so my music is kind of weird, but l want my music to be weird.
It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in - that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.
There's a lot of comedy in being the outsider. You can say, 'That's weird. Why do you do it that way? That's foreign to me. That's pretty weird.'
I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.
I turned popular music on the radio, and I never listened to it again after that, in about 1985. That's when I switched over to classical music, and I pretty much stayed with that since then.
I think anyone who has been bullied finds it life-affirming if you live to tell the tale. I just wish someone told me at school that there's this weird average whereby if you're not popular at school you will become popular later.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
I think there's a weird self-affirmation thing that happens in popular music in general. It seems like every song I hear on the radio is like, "Listen to me roar!" or "This is my fight song!"
I feel a vocabulary in my music that is coming from popular music. Popular music is like the mother of all languages.
You're always as a musician trying to shock yourself or create music that's maybe even too weird for your own taste. In my case it's kind of weird because I started out being known more for ambient things and ambiguous music, but what's experimental for me is the more traditional structure. For me, experimenting involves traditionalism.
Pretty much everybody loves music. Like, there are those weird people that don't like music, and I don't really understand that at all, to be honest.
Folk music has been our popular music... There is a myth that youngsters only like heavy metal or rock music, but that's not true.
Popularity gets up people's noses. But I understand the importance and the function of popular music. There is an artistic purpose. Popular music helps people to develop a curiosity and leads them towards classical music.
People showed me this way of dealing with music, writing songs, thinking about music and shows and our community and the fact that it doesn't have to be about being popular or fashion or making money.
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