A Quote by Danny Clinch

I'm photographing all the time. I'm such a visual person and I don't want to miss that moment. — © Danny Clinch
I'm photographing all the time. I'm such a visual person and I don't want to miss that moment.
... mortification is basic to the act of photographing. The person is mobile, ... then I freeze one moment in his movement, a mere five-hundredth of a second of that person's life-time. That's a very meager or small extract from a life.
Snapshots that have been taken of me working show something I was not aware of at all, that over and over again I'm holding my own body or my own hands exactly like the person I'm photographing. I never knew I did that, and obviously what I'm doing is trying to feel, actually physically feel, the way he or she feels at the moment I'm photographing them in order to deepen the sense of connection.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
That thing, that moment, when you kiss someone and everything around becomes hazy and the only thing in focus is you and this person and you realize that that person is the only person that youre supposed to kiss for the rest of your life, and for one moment you get this amazing gift and you want to laugh and you want to cry because you feel so lucky that you found it and so scared that that it will go away all at the same time.
Actors basically are the type of person that with three seconds left, we want the ball. Give us the shot to make it or miss it. We'll take the lumps if we miss it, but we want the chance to get the glory.
I think we can learn a lot about a person in the very moment that language fails them. In the very moment they they have to be more creative than they would have imagined in order to communicate. It's the very moment that they have to dig deeper than the surface to find words, and at the same time, it's a moment when they want to communicate very badly. They're digging deep and projecting out at the same time.
In my personal opinion, you miss out on the beauty of the moment if you go in planning what the moment is. It's like having a vacation too jam-packed with activities. You miss all of the sunsets.
Everyone concedes that photography is now a medium of exchange as much as a mode of documentation.... photographing has become the visual equivalent of cellphone chatter.
I hate having my photograph taken and I try to keep that in mind when I'm photographing other people. But the best photos that I've taken are the ones when people have forgotten that I'm there. If I'm in a recording studio with a musician, for example, maybe I'm not photographing them in the middle of a take but I can just get that stolen moment of them resting and they glance over to me.
You can sustain visual beauty and innovative visual ideas for a certain length of time, but in a two-hour experience, which is really what movies are, usually audiences - whether they know it or not - most want an emotional connection to character.
I want to keep doing what I'm doing and see how far I can go. See when it stops. See what the end is like. I want to make this moment last as long as I can make it. If I miss a day, I'm afraid I'll miss out on a smash record.
For me, every photograph is a portrait; the clothes are just a vehicle for what I want to say. You're photographing a relationship with the person you're shooting; there's an exchange, and that's what that picture is.
I'm a visual person - when I write, my input is always visual. I worked in television for several years.
You know what I miss? The energy of live audiences, because there's no substitute for that exchange that you get in real time when you're sharing a moment, a same with people who are in that same time and space with you. I really just love that. I enjoy it when I get to travel and make speeches now. I like that a lot too. But that's probably the thing that I miss the most about hosting my own show.
I'm a visual person, and I love visual extremes and aesthetic discipline.
I am more of a visual person than a verbal person. For me, I think, the excitement is the fact that I found a way of telling the story as I want to tell it, in a medium that I could master.
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