A Quote by Danny DeVito
So, you pick this stuff here and this stuff there and then you see things in certain ways and you start visualizing and thank God I get the chance to do this. It's really the greatest thing in the whole wide world.
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I'm really at ease in being me and going all around the world playing music. But I do get a lift once we start. I'm humming stuff in the dressing room and smiling, looking at myself and making sure I don't have nose hair! But once I get really close to the stage, and the guys are doing the intro thing, I do get a pick-me-up.
It seems to me that one of the most interesting things about God as a concept, if you decide to believe in God, is that God's ways are unknowable. And God obviously, look at the world around you, does or is responsible for some terrible, terrible, awful things. A young girl kidnapped and kept in the darkness and sexually abused. The deaths of six million Jews. A mudslide that buries a village. All of these things. If God is doing the good stuff, he's got to be doing that stuff too.
My favourite thing about touring is really the shows, because early on you can say it's definitely things like travel and seeing the world and stuff like that, but over time you don't really get to see the world. The most important thing in the day is the show. So that's why I do it.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
I think more than anything, I think I'd really like to start producing and be in charge of the stuff that I want to see in the world and the stuff that interests me.
I think - more than anything, I think I'd really like to start producing and be in charge of the stuff that I want to see in the world and the stuff that interests me.
Genre stuff is the most exciting stuff for an actor to play. I get to try new things, do things I would have never got the chance to do.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
I don't really collect anything. I grew up in a family that collected things and then they'd get sick and people die and then they have their basements full of stuff that goes from one box to the next, so I try not to get sentimental with stuff. I just try to collect memories.
I don't really collect anything. I grew up in a family that collected things, and then they'd get sick, and people die, and then they have their basements full of stuff that goes from one box to the next, so I try not to get sentimental with stuff. I just try to collect memories; I guess that would be it.
There were a couple of times, leading up to shooting [Ordinary World], where I was like, "Oh, my god, what did I get myself into? Hopefully, I don't ruin this guy's precious script." And then, after a couple of days of shooting, I started getting in the groove of it and it was really fun. I love being a rookie at stuff. It makes it feel vital. I love doing things I've never done before, and I love making stuff.
If I hadn't got into comedy, I wouldn't have met Abbey, my wife, and I wouldn't have my two girls, and the whole thing unravels. That's the thing about being basically - whisper it quietly - happy, is that you don't really want to change anything, because once you start changing stuff, then what you've got all disappears.
All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'
I'm starting to feel like I can actually figure out how stuff works. I can actually pick stuff apart and have a chance of fixing it.
And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that.
In the years that I've seen concerts, when I've paid to see somebody I want to see, there would be a certain amount of songs I'd want to hear. So whether it's stuff I want to play every night or not - or stuff I've been playing for years or stuff you get tired of playing - you have to play what people pay for and make it fair for them.
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