A Quote by Danny DeVito
If you're going to have kids, there's only one way to go. They have to know they're the most important things in your life, and once you're doing that, there's no way that you could not learn from them, because they just give you stuff constantly.
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We are not like the social insects. They have only the one way of doing things and they will do it forever, coded for that way. We are coded differently, not just for binary choices, go or no-go. We can go four ways at once, depending on how the air feels: go, no-go, but also maybe, plus what the hell let's give it a try.
... The Book is more important than your plans for it. You have to go with what works for The Book - if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book.
You're doing your kids a disservice if they do get everything they want because that's not the way life's going to go, and I think kids have to have some reality.
You can learn a lot from children because they see things new every day. That's the beauty of what you want to achieve as an artist - seeing things in a different way. Kids are constantly saying things that are funny and surprising and their observations are just... you know, they're like little artists themselves.
Everyone's path is completely different. I could give an aspiring artist my timeline and every phone number and contact person along the way, but their experience would be carved out in a different way. It's the diligence to keep going in the face of obstacles that is your best ally. It's also important to know why you are doing this... attention, money, or because you got something to say, or at least in what order those things matter.
I learn things in a backward way. I learn all those limitations, and slowly my brain soaks them up, and if things go right, you just, in an organic way, translate your ideas into those templates. That's the way I perceive the process happening.
I always think it's just best to just make stuff and to carry on making stuff, even if it's not off your own back, because that's the only way... especially as a comedy writer, I make short films and then show them to live audience, so if they're laughing you know you're doing something right.
Once I go into these fights, and we have to go through the ringer to prepare for them, and we know I'm not 100 percent going in, winning is the most important thing, and dominating is the most important thing, and that's what we've been doing.
My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.
There are certain ways you have to delude yourself. Self-delusion is important, for instance in family life. You know what I mean? If you're in love with your wife you have to go in there with blind faith. You have to support everything. And with your kids, you have to believe that you're doing something that has higher purpose; even though you don't have any evidence that that's the way it's going to turn out.
The direction Eun Gi is trying to go, I don't know. How you're going to go that way. What you're trying to do going that way. I don't know. With what thoughts... With what mind she is taking that way... Even if I ask, Eun Gi won't answer. The only thing I know, is that, I, next to Eun Gi who is going that way, it could be that I can't go that way with her together.
Actors make bad lovers. Their most important kiss is for the camera. Not in a superficial way, in a really deep way. They can only give everything if they know someone is going to shout cut!
I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.
Grown-ups desperately need to feel safe, and then they project onto the kids. But what none of us seem to realize is how smart kids are. They don’t like what we write for them, what we dish up for them, because it’s vapid, so they’ll go for the hard words, they’ll go for the hard concepts, they’ll go for the stuff where they can learn something. Not didactic things, but passionate things.
The single most important advice I can give anybody is: Learn from your mistakes. That is the only way to become a successful trader.
I do want to learn the way to do it over here. I'm not really looking to just go about my way and do it in the Japanese way that I've been doing. Basically, I'll try to get some advice, learn the way it's done here and go about it.
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