A Quote by Danny Dyer
I don't think you can get any more working class than me. Everyone seems posh to me.
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When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
When I started in the profession, there were very visible actors who were Scottish, Welsh, or regional. Lots of working-class-hero leading actors; it was not fashionable to sound posh. Now, I'm middle-aged; it's fashionable to sound posh if you are the generation behind me.
Because I sometimes shopped in Waitrose, I thought I was actually quite posh. I've realised that I'm basically a scullery maid. Even the middle-class people who I meet in parliament, people who live in London - which I think is remarkable because how can anybody afford to live there - seem much, much more middle class than me.
The middle class is doing fine in fiction. But it's not what gets me going. I love the working class, and everyone from it I've met, and think they're incredibly witty, inventive - there's a lot of poetry there.
Working class people vote Tory because they think it makes them look a bit posh.
I mean, look at Adele. She sings and she's not posh, posh, posh. But she's absolutely amazing. She's smashing it. She's global. I just think why change yourself? I'm going to stay as me.
I think anything we do outside of Gym Class Heroes still falls under the Gym Class Heroes umbrella. There's really no method to the madness. With Gym Class, it's more of a democratic process, and when I'm working on solo stuff, it's just me, either working with producers or sitting in a room by myself. They balance and complement each other.
Look, there is a sort of old view about class which is a very simplistic view that we have got the working class, the middle class and the upper class, I think it is more complicated than that.
I think the class divide is going to change. I think a lot more working class people are going to get published. It is really class ridden, literature.
I think the working-class part of me comes out. Sometimes the people who have the loudest mouths are upper-class, upper-middle-class. The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
I don't think it's the case that 'posh actors' get more work than others.
I come from an Irish working-class background but went to a posh school, and any type of pretension was quickly mocked at home. I've always had a keen eye for pretension.
I think people maybe had a perception of me that I was just a hard working player, just a runner. Don't get me wrong, I think I am that but I've got a lot more to my game than that.
When I talk about 'working class,' I don't talk about 'white working class,'. I talk about 'working class,' and a third of working class people are people of color. If you are black, white, brown, gay, straight, you want a good job. There is no more unifying theme than that.
Well, first of all I think that we have to be careful with terms like the working class, obviously. When [Karl] Marx wrote about the working class he was writing about something much more bounded than we're talking about.
I do want people to think of me as an actor, not just a posh actor who does posh parts.
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