A Quote by Danny Fox
A lot of my words come to me when I'm out and about as well, riding the bus or sat in the pub. I went through a stage of going to a strip bar called the White Horse at lunch times and did a lot of writing in there. They were fine with that but I don't know how they would feel about me setting up the easel.
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An English journalist called Michael Viney told me when I was 25, that I would write well if I cared a lot what I was writing about. That worked. I went home that day and wrote about parents not understanding their children as well as we teachers did, and it was published the very next week.
I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
I don't know if it's a failure of imagination on my part, but I'm not going to be writing about Paris in the 1800s. I feel like it would come off as just ludicrously uninformed, even if I did a lot of research.
I don't come on to seduce the audience. I don't care if everyone laughs. I can't think about that anymore. If there's anything that a lot of experience on stage and a lot of stage time gives you is the confidence to know that it's ok if they're not laughing every second you're up there. Although that's what drives me and I still go too fast a lot of the time.
When we were trying to come up with a concept for our music video for 'The Stage' we basically run through a lot of different ideas, and ultimately, I sat and studied the lyrics that Matt had written - and they really resonated with me.
To put things back into perspective, back when we as people were struggling to survive through winters, or even through the night, I feel like there's a lot of whining about whether or not you use Asian or the words Asian or Oriental, and how it's going to offend somebody, I mean give me - I mean, just shut up.
But a lot of times, people die how they live. And so last words tell me a lot about who people were, and why they became the sort of people biographies get written about.
I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.
I would say a lot of it came from a lot of different drills that Coach Fleck put me through. That's my man. He taught me a lot, a lot, a lot about receiver play. And he taught me a lot about catching the ball and just hand placement.
When I was 17, I got a call from Konnan. He told me that he was about to start up a new promotion called AAA. A lot of the popular wrestlers were going to come to work for him, and he wanted me to be one of them.
I finish a lot of lyrics while I'm in the water and it's always pretty constructive for me to get out in the water. I'm not actually writing the words down, but I have time to think about words, and doing a lot of surfing usually gives me a little space and peace of mind to finish things up.
There aren't a lot of guys like me left. But I'm a war horse. I've been through it all. And you know something about war horses? Through the sleet, through the snow, they just keep going.
With me being in so many pain from when you have a betrayal from your best friend - who was my husband - and the girl got pregnant, I couldn't even get out of bed. The only thing that saved me was my stand-up. I would get on stage and just talk about stuff, and I made people laugh. A lot of women e-mail me and say, 'How do you smile? How do you laugh at something like this?' That's how I do it. I laugh because that's how I get through pain.
Aside from birthing me my first grey hairs and keeping me up at night more times than I'd like to count, 'The Subtle Art' taught me a lot about the nature of work. And a lot of that had to do with how my perception of the work itself evolved over the course of writing the book.
To me, acting is very therapeutic. I get out a lot of anger and frustration. It's maybe hard to believe, but as a kid I really had a lot of self-doubts. My father was very ill - he was an alcoholic - so there were a lot of things that built up for me. And because I was going to a Catholic school in a small German town, a lot of it was suppressed. I was angry and didn't know how to get it out.
Like most authors, I'm a raging egomaniac. I know that about myself. And I know that, if I had internet access, I would waste countless hours looking up things about myself, writing fake posts about how great I am and arguing with people who don't like my work. It saves me a lot of time and frustration to just stay out of the loop.
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