A Quote by Danny Glover
Lethal Weapon 2 used the platform to talk about the apartheid system. That was a very important moment for us.
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We're not sure that if there's chemical weapon used and who used it. We can't talk about virtual things, we have to talk about facts.
I remember my emotions the day we watched Nelson Mandela walk out of prison Writing & literature in South Africa during the anti-apartheid years, became a 'cultural weapon.' You had to use it to fight apartheid & some of us resisted that in the end, you recognize that you are facing a government that has no scruples about using culture & art to oppress you.
I'm thinking about some developments say in the 80s when the anti-apartheid movement began to claim more support and strength within the US. Black trade unionists played a really important role in developing this US anti-apartheid movement.
Religion is something we don't talk about, and it is used by uneducated people as a weapon to divide us as opposed to connect with each other.
'Lethal Weapon' sold apropos of nothing when I was very young, but that was a very different market.
Look, if somebody said tomorrow, "We're making a Lethal Weapon formula movie, but it's incredibly well-written and for two women," I'm not going to say, "Oh, forget it, it's formula." I got an idea the other day, that somebody should write a typical formula movie, a Lethal Weapon, and make it with me and my dad. It could be all father-and-daughter capers. But I'd want someone really weird to direct it.
I used to try and make up visually for what I couldn't play as a musician. I used to get into very incredible visual things where, in order just to make one chord more lethal, I'd make it a really lethal looking thing, whereas really it's just going to be picked normally.
It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.
I am so proud of being a Paralympian because I think the Games are a very good platform for disabled persons to perform themselves. Within the Paralympics movement, it's not just talk about excellence; it's not just talk about the competition. It's also talk about the equality and how your world accepts those disabled people.
I have a lot of cop friends that I'm close with and we talk about these things. I always ask them, 'In this situation and in this scenario, what would you have done or what should've happened?' If a guy doesn't have a weapon or doesn't seem like he has a weapon, drawing your weapon should never be the answer.
In my day, the drug was alcohol and the weapon was a fist, so it was very sort of innocent and primitive. Now you've got drugs, guns, and knives, which are so lethal.
But if we're going to make our immigration system work, then we have to be prepared to talk honestly and without fear about these important and very sensitive issues.
I'm interested in language. We used to call it the War Office. Then it became the Ministry of Defence. We used to talk about the hydrogen bomb, now we talk about a deterrent. And the language is very cleverly constructed to give the impression that it's not what it is.
I was getting mad at the system or the politicians or the government, and then I realized someone should talk about this stuff, and I have a big, multinational global-youth platform of kids who are going to change the world. So I was like, "I should be doing that. I should be showing this to people. That's my job." And since that time, I've been very happy.
Rant Casey used to say, "No matter what happens, it's always now..." Talk about cryptic. I think what Rant meant was, we live in the present moment of reality, and no matter what's come before, no matter how much we loved a person or a dog, when it attacks us we'll react to that moment of danger.
Walking into the studio making 'Scared Hearts Club,' it was important for us as artists to write a joyful record, but using joy as a weapon because joy is the best weapon against oppression; it's the best weapon against depression.
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