A Quote by Danny Glover

My theatrical background was in the great work of the South African playwright Athol Fugard. — © Danny Glover
My theatrical background was in the great work of the South African playwright Athol Fugard.
There's a very famous South African playwright named Athol Fugard, and I'd be in any play he's ever did.
The late Nadine Gordimer in South Africa, for example, had a wonderful ability to get her country's injustices and contradictions down on paper. Ditto for her countryman the great playwright Athol Fugard.
Athol Fugard became famous as a playwright, so although 'Tsotsi' the book was written in the '60s, it was only published in the '80s. It was then optioned pretty much every year by producers. I think the problem was that holding onto its period setting made it very hard to get finance.
In 1973, 'Sizwe Banzi is Dead' and 'The Island,' which I co-wrote with Athol Fugard and Winston Ntshona, transferred from The Royal Court Theatre to the Ambassadors Theatre in the West End.
There is a tendency just to talk about foreign investors. Over 80 per cent of new investment in the South African economy is South African and therefore the engagement of the South African investor is also a critical part of this process.
I recently did a play, Athol Fugard's 'Coming Home' at Long Wharf Theatre, where I played one character throughout - I sat at a table and didn't have any costume changes. Following one character's arc from beginning to end is a whole different mindset.
We do not have a South African as a member of the African Commission. The President of the Commission comes from Mali, the Deputy comes from Rwanda and then we have got all these other members, ordinary commissioners. There is no South African there. And the reason, again, for that is not because we didn't have South Africans who are competent.
I do come from a theater background, where the playwright is optimal and king and you have to serve the playwright. So I am, of course, a huge fan of scripted everything.
At the outset, I want to say that the suggestion that the struggle in South Africa is under the influence of foreigners or communists is wholly incorrect. I have done whatever I did because of my experience in South Africa and my own proudly felt African background, and not because of what any outsider might have said.
I'm not from a theatrical background where people do like to work it out on some stage space.
The toughest challenge I faced came right at the beginning of my career with 'Blood Knot,' which was trying to convince South African audiences that South African stories also had a place on the stage.
I like to make bombueti, which is basically the South African national dish. It's basically a South African curry shepherd's pie kind of thing.
I come from a theatrical background, where, if you're working on a movie or a play, you always respect the people you work with. You're accommodating.
Nelson Mandela sat in a South African prison for 27 years. He was nonviolent. He negotiated his way out of jail. His honor and suffering of 27 years in a South African prison is really ultimately what brought about the freedom of South Africa. That is nonviolence.
Crime is fast destroying the moral fabric of South African cities, and is becoming a major threat to South African democracy as well as the prominent manifestation of a "class war" that is largely a continuation of the "race war" of yesterday.
In 2004, I went to Israel and gave a speech that resulted in guns and ammunition being given to the South Sudanese rebels, specifically Commanders Athol's and Yaka's armies.
This site uses cookies to ensure you get the best experience. More info...
Got it!