A Quote by Danny Green
It's a great time of year for everybody. In March Madness, there are a lot of upsets, a lot of buzzer beaters, a lot of craziness going on.
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It's just that [the Hawks have made] a lot of changes. A lot of their great players have moved on. They have a lot of new faces and a lot of young guys who are going to be a part of this team for a long time. It'll take time. They've got a nice little core to start with.
In The Tale of Despereaux, there is a lot of darkness, a lot of despair. There's also a lot of light, redemption, hope. There's forgiveness, there's friendship, there's love. But the world in all of its potential craziness is also there.
I think, a lot of times, network shows are under a lot of mandates. There's a lot of moving pieces. There's a lot of money. There's a lot of people who are going to be disappointed if anything goes wrong.
I spent a lot of time, a lot of energy trying to be a better artist and I still [do]. I spend a lot of time focusing on my craft. If you're going to take your passion into something beyond just something for fun on the side, you got to spend a lot of time on it to be great, and then you've got to make smart decisions about who you collaborate with [and] where you live [to] put yourself in the right situations to meet the right people to catch those breaks.
Here at CBS, spring also means March Madness. I love the name March Madness. I'm glad the PC police haven't made us change March Madness to early spring psychosis.
Look, we're living in a crazy time right now. There's a lot of craziness going on in the world and in the United States in particular.
Experience is the best teacher. I've been through a lot - going to the Olympics, going to the Finals, having a lot of good games and having a lot of bad games. It's a rollercoaster ride and I'm just happy I'm a part of it. If it was easy, then everybody could do it.
It takes a lot of time and a lot of energy and a lot of focus and dedication to do a film, and it's just not worth it if you're going to be miserable for even a day.
I'm not saying I'd walk through everybody. There's some great fights for me, though, and I'd put on a hell of a show with a lot of the fighters in the top 10. My pressure is second to none, and a lot of them don't have any way to prepare for what I'm going to be bring.
There's a lot of real unity - and a lot fake unity, sadly. I think a lot of people are going to get an opportunity to pursue greatness and pursue careers outside of D.C. Not everybody is going to make it. I think there's a connotation that there's a lack of rappers out there.
My senior year I felt I put a lot more time into the offseason to make a lot more happen. Going out my senior year, I felt like I did everything I wanted to do and more. I felt like I dominated and I feel comfortable going to the next level and that I'm ready.
When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.
I grew up in this little city called Brampton. It's pretty suburban - there's not a lot going on. In my neighbourhood, specifically, there weren't a lot of other kids so I would just spend a lot of time inside.
Wintertime for me is a time when I do a lot of my writing in the studio. It's a time I enjoy. And it's very reflective and a very calming time of the year. Throughout the year I gather a lot of musical inspirations, and this is where I bring them to the studio and see what will evolve musically.
Going into a game, I know that I'm going to run a lot. I know I'm going to have a lot of volume, and I know that I'm going to get hit a lot, which is great. Sometimes we try to deliver some blows, too, try to break as many tackles as possible. We know it's going to hurt the next day. That's why we love the game.
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
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