A Quote by Danny Huston

When I was really young, I shot a lot with my Super 8. — © Danny Huston
When I was really young, I shot a lot with my Super 8.

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I think that a lot of the most talented and driven people, they're not super deterred by failure. So if you put out a really big challenge, I think they get reality excited by that - they say, 'Hey, why not, let's go give it a shot, and if we fall short on that, at least we took a shot at doing something really important and meaningful.'
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go.
Becoming world champion is something I have worked at for my entire career. It doesn't matter to me that my first title shot is at a different weight. The opportunity is at super-middleweight and I am going to take it. But that doesn't mean I am forever going to be restricted to the super-middleweight division. I've still got a lot of work to do, a lot of unfinished business at middleweight.
I shot 'Fruitvale Station' on super-16, and then I shot a movie called 'The Harvest' on 35mm, and then I shot 'Little Accidents' on 2-perf 35.
I spent a lot of my adolescence in Miami, where it was super humid, and my hair would get super frizzy, and my waves weren't really consistent or pretty.
I didn't really start doing stuff until I was 8 or so, but I was an extra in a bunch of different movies, and I just really took to it and really enjoyed it. I kind of bugged my parents to give L.A. a shot, and they were just super-supportive.
I can't get enough of this guy called Baths. He's a total L.A. dude and really young as well. It's super-electronic, but with almost Hall & Oates-style songwriting. Without the context of the production, it could be super-cheesy, but it has amazing harmonies.
The crowd really controls how I am onstage. One show, it might be a lot of young people, super-high-energy dancing. I mirror that. Other shows, it's much more calm.
I've seen so many young filmmakers - even professional filmmakers who get a Hollywood deal - they don't quite know where to begin, where to end, and they'll waste a lot of time making this perfect shot, an establishing shot, and then there's no time left to shoot the dialogue.
The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.
Skinny jeans and an extra big t-shirt. Ugh, I cannot stand that. It looks like an idiot: it's just proportionately wrong. And the super, super, super, super, super, super, super skinny jeans. I don't think you can get anything done when you're wearing clothes that tight.
Craig McDean was probably one of the first people I shot with. I shot with him for years with Tommy Hilfiger and a few other jobs. He's just so nice and just a super normal, funny guy.
During 'Stranger Things 3,' I shot 'It: Chapter Two,' so I would shoot on my days off, which was super tiring and stressful, but really rewarding at the same time. Basically, I shot 'It: Chapter Two' and 'Stranger Things 3' at the same time.
When it comes to women, our perfectionism gives us a lot of grief. Women want to be super moms, super partners and super performers at work - and all at the same time. That's stressful.
When I was a kid, award shows were super-interesting for me. But when I started making music, it was kind of hard to watch because I believed in what I was doing and yet knew I didn't really have a shot.
I'm a super creative person and have always loved drawing and painting since I was super young, but makeup was a new avenue for me.
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