A Quote by Danny Huston
I loved painting and drawing for many reasons. One of them was that all it really required was me, a pencil and a pad. It was something I was passionate about, and still am.
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Not even pencil or charcoal is needed. Drawing can also be done with a brush. But drawing is a must, if not, no painting can resist.
Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything.. ..A convent, a monastery, a phalanstery of painting where one could train together.. ..but no programme, no instruction in painting.. ..drawing is still alright, it doesn't count, but painting - the way to learn is to look at the masters, above all at nature, and to watch other people painting.
I grew up with a pencil. A pencil was my computer at the time and so drawing, drawing, drawing and the tools of drawing where the usual ones and eventually then you graduated from the tools when the work increases and you start to draw by freehand as precise as possible and as accurate as possible, and I was pretty good at that.
I am really passionate about transparency and trans rights issues, so I embrace these opportunities to speak. I try to stay in touch with those who are prominent in both the trans and transparency movements, but more often than not, I am speaking out on a particular issue on my own. I certainly hope that people listen to me and think about these issues. But regardless of whether I had a public venue to speak in, I would still be passionate about them.
While he writes, I feel as if he is drawing me; or not drawing me, drawing on me - drawing on my skin - not with the pencil he is using, but with an old-fashioned goose pen, and not with the quill end but with the feather end. As if hundreds of butterflies have settled all over my face, and are softly opening and closing their wings.
I am still in love with couture because it is just two months from drawing pad to runway so everything on the catwalk is hot from the oven.
I'd rather be around a passionate nerd than a non-passionate cool person. Because if you lack passion, your soul is diminishing by the second. You have to be passionate about something. Call it obsessed or whatever you want, but be obsessed about something. Obsessed people care. I'm passionate about so many things, it becomes an issue at certain points, but at least you have the ability to feel that much about something.
I am only a little pencil in the hand of our Lord. He may cut or sharpen the pencil. He may write or draw whatever and whenever he wants. If the writing or drawing is good, we do not honor the pencil or the material that is used, but rather the one who used it.
My advice is that you go and do something that you are really driven to do. I loved to play baseball and, because I loved it, I practiced it. Some of us have limitations, but if you are passionate about something and if you have the drive, then you can accomplish it.
On occasion I have drawn as a release from painting. The economy in using paper, pencil, charcoal and crayon can help towards a greater gamble and higher rewards. I also find that drawing can generate ideas more rapidly than painting.
I wasn't really happy in school and didn't really have anything else going for me; I wasn't really good at anything. Drama was at least something I loved and was really passionate about.
But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
Still I should paint my own places best; painting is with me but another word for feeling, and I associate "my careless boyhood" with all that lies on the banks of the Stour; those scenes made me a painter, and I am grateful; that is, I had often thought of pictures of them before ever I touched a pencil, and your picture ['The White Horse'] is one of the strongest instance I can recollect of it.
In fact, I believe to a certain extent a person today who starts with just clay, with no drawing and no painting and no figure drawing, still-life drawing, various things, they miss a great deal.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
I decided I needed something that I could feel as passionate about as acting, and something in which I could completely lose myself. I started painting, and I'm still doing it.
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