A Quote by Danny Jacob

A few Disney TV composers had me pinch-hit writing some scoring cues to picture. Disney tapped me to be the composer for the underscore and song producer for this new show called "Phineas and Ferb."There is nothing like a successful animated show to get your chops up. You have to do every style - action, adventure, romantic, suspense, spy, poignant, rock, funk, big band - delivered on a deadline.

Danny Jacob

Quote Topics

Action Adventure Animated Band Big Big Band Chops Composer Composers Deadline Delivered Disney Every Few Funk Get Had Hit Like Me New Nothing Picture Pinch Poignant Producer Rock Romantic Scoring Show Some Song Spy Style Successful Suspense TV Up Writing Your

Quote Author

Danny Jacob
American - Composer
Born: October 8, 1956

I love Disney. I know that some Disney stars want to break out of the Disney mold, but no, if they let me, I would work with Disney until I die.

Olesya Rulin

I was actually going to work at Tokyo Disney. I thought, 'I'll work in the family!' That was my postgraduate plan. I didn't really have any plans lined up, but I was going to audition for this big band jazz show that was at Tokyo Disney. I think the concert was, like, for a year or something, and I thought, 'Yeah, that's what I'll do!'

Sasheer Zamata

What brought me to Disney was the new regime, which is now the old regime, came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg, and all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.

Alan Menken

What brought me to Disney was the new regime, which is now the old regime - came over with Michael Eisner, Frank Wells, Jeffrey Katzenberg - and all these people really wanted to reinvigorate the animated musical, so they came to Howard Ashman and me. That was my entry into Disney.

Alan Menken

I have a younger brother and sister who actually play in my band, and we were always into Disney music, big time. The first time I heard myself sing was when I recorded myself singing a Disney song. I remember it because it was awful, and I didn't expect to hear that. I think it was 'A Whole New World' from 'Aladdin.'

Laura Mvula

When I auditioned for 'Jessie,' I knew that Disney Channel basically will do 100 episodes of a show if it's a hit; they'll stick with something. It's a great network to work with because they make a nice big commitment to a show.

Kevin Chamberlin

I did a standup show called 'Show Me the Funny,' so from that I got some TV stuff and people would book me for gigs. I wasn't really good enough at that point, so had to catch up with expectations.

Ellie Taylor

You can't get anymore classic than being a part of a Disney animated film. To me, that's something I can have in my back pocket for the rest of my life. I'll be able to show it to my kids. I'll be walking around Disneyland, and it'll be bizarre to shake hands with Rapunzel.

Mandy Moore

I actually had a movie green lit at Disney the same week 'Burlesque' was green lit - a movie for Disney called 'Mash-Up', about a high school marching band.

Steve Antin

For my rock band, I was influenced by things like 'The Rocky Horror Picture Show.' For me, it's live rock n' roll theater.

Juliette Lewis

Talk about songs that make me cry: Track 7 on the 'Phineas and Ferb' soundtrack, 'Summer (Where Do We Begin?).' When you get to the part about sitting with your brother underneath the shade of a big tree in the backyard, ohmygod. Turn on the waterworks.

Christopher Gorham

I was under contract with Walt Disney at the time. I was co-starring in my second season of a show called, Texas John Slaughter. The Andy Griffith Show hired me to play Thelma Lou. I only worked when they called me. I would do an episode in two days and I got paid $500. After all the federal, state and local taxes were taken out and then my agent's commission I only got $200 some dollars per episode.

Betty Lynn

What we try to do at Disney and through Disney character voices is really maintain the integrity of our classic characters at all costs. So Ariel needs to be me for every project, and if there are any other Ariels floating around out there, it's not necessarily Disney.

Jodi Benson

Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting but use painting as a means to photography.

Gerhard Richter

I've been fascinated with gargoyles since I was a kid. I took a high school trip to Europe, the 8 countries in 5 weeks kind of trip. Even then I collected postcards of gargoyles. Then I sort of forgot about it. You flash-forward a few years and I'm at Disney, we're looking for an idea to base a show on. I was running series development at the time at Disney TV Animation. And we came up with the Gargoyles comedy series. Which didn't sell!