A Quote by Danny Lyon

[The people who run things] are so successful in the way they do it now. They could buy me off with a couple of vintage prints, they could have you do an ad, or give you a ribbon... In capitalist countries they reward artists because we're ineffectual.
Trump doesn't need to spend a dime to get his message out. Trump doesn't have to run an ad. Trump doesn't have to run a series. He doesn't have to pay people to show up. He doesn't have to buy TV advertising, because he gets more coverage than the combined advertising the rest of the Republicans could buy. And aside from the overwhelming, significant upset that is, the very fact of all that ticks them off. Donald Trump has direct access to his supporters. And you know who gives it to him? The media.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
What I know now is that everybody in life, no matter where you are or what you do, must be able to sell in order to be successful. I used to believe that I could be successful on talent alone. What I realize now is that I can only be successful if I can have people buy my talent.
I don't do the vintage thing so much, just because it's not me. There are some vintage designers I'll buy things from, but mostly not.
Education of course is a very empowering experience, so many people who went to school also managed to improve their quality of life much faster because they could get a job, they could get money, and with money you could buy things that you cannot buy if you don't have money.
I think the most successful are the most paranoid. The first thing people do when they buy a mansion is they build the biggest wall you could possibly build around it. What happens is, now you become a target. If I go into the hood, I'm at a disadvantage. They could carry guns. I can't. They can hit me in the face. I can't.
I think I could walk into any music shop anywhere and with a guitar off the rack, a couple of basic pedals and an amp I could sound just like me. There's no devices, customized or otherwise, that give me my sound.
You know, sometimes people never get to learn how successful they could have been because they give up too easily. If I've learned one thing in all my years in the business, it's that often things don't work out the way you want at first. But that doesn't mean you should give up.
We could have saved Wall Street without putting our future in jeopardy. I predicted that there would be all-around consequences - in the long run as well as in the short run. People are now saying we can't afford health care reform because we spent all the money on the banks. So, in effect, we're saying that it's better that we give rich bankers a couple of trillion than giving ordinary Americans access to health care.
I had the notion that, OK, so now we have all of this wealth, we could buy not only one expensive car, we could buy all of them. As soon as you realize that you could buy all of them, then none of them are particularly interesting or satisfying.
You can always veer off the path, that's one thing that has really comforted me over the past year. When you think, 'I can't do something because of this, this and this,' you can actually do anything you want. I could go ballistic right now and tear this whole room apart. I could. I'm not going to, because logic is stopping me, but you can do whatever you want. You really can veer off any path at any time - never give up.
There was a lot of pressure on me when I was 18, 19 to move to America. I went out for a couple of weeks and hated it. I thought I could go out my mind. You could really see how people could go off the rails.
I could not find any way that we could really run the kind of campaign I wanted to run if we were targeting delegates and still trying to talk to people, which is what keeps me going as a human being.
The idea of regretting not doing this seemed insane to me. Sitting in the corner at a bar at age 60, saying: 'I could've been Bond. Buy me a drink.' That's the saddest place I could be. At least now at 60 I can say: 'I was Bond. Now buy me a drink.'
I'm not that nice - it's one of those things that reveals itself over time. You could talk to people who know me well; they could give you a laundry list. Except they probably wouldn't because they're petrified.
I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.
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