A Quote by Danny McBride

And I'm a pretty avid photographer, I've been into photography for years now, so I try to spend some of my free time with that. — © Danny McBride
And I'm a pretty avid photographer, I've been into photography for years now, so I try to spend some of my free time with that.
As an avid photographer, I also took advantage of the latest technology in photography - digital photography - to post photos on my website on a daily basis.
What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.
[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
Most of the information we now get is through television and is mutilated. Photography offers the opportunity to spend much more time on a topic. It's relatively cheaper medium, and can allow a photographer really to live in another place, show another reality, get closer to the truth.
To us, the difference between the #? photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #? photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.
[Photography] underlines the photographer. That's the Barthesian this has been. Well, this has been for the photographer as well. The photographer is the hidden placeholder in the Barthesian equation.
The decisive moment, the popular Henri Cartier-Bresson approach to photography in which a scene is stopped and depicted at a certain point of high visual drama, is now possible to achieve at any time. One's photographs, years later, may be retroactively rephotographed by repositioning the photographer or the subject of the photograph, or by adding elements that were never there before but now are made to exist concurrently in a newly elastic sense of space and time.
I read like a crazy person, I play the piano, and I'm a photographer. I always say my photography keeps me sane. I spend a lot of time in the darkroom. It's a very solitary, quiet life when I'm not working.
After I retire, for some time at least, I will spend my time with my grandchildren and my family members, because all these years, 50 years, I have not been able to give my time to them.
Cigarettes are pretty much my worst vice, and I even stopped smoking for 20 years. I spend most of my free time with my family and working on art.
We really try not to spend too much time thinking about what we're supposed to be a punk band, or whatever. We do the exact same thing today that we been doing for years and years and years.
There was a time when one looked over one's shoulder with an ironical smile at the photographer and when photography as a profession seemed almost invariably a target for ridicule. That time is now over.
I didn't spend a whole lot of time here, but I had the seven best years of my career in this city and having an attachment here 20-some odd years later is pretty special to me.
Photography is like a found object. A photographer never makes an actual subject; they just steal the image from the world... Photography is a system of saving memories. It's a time machine, in a way, to preserve the memory, to preserve time.
I've been the head of the photography program at Bard College for over 30 years, and I take that as seriously as I do my photography. My time is devoted to that too.
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