A Quote by Danny McBride
So I just came out here to Los Angeles with a bunch of buddies I had gone to film school with. You know, for better or worse, we just tried to slug it out here.
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I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I was just restless with being in school; so I went out to Los Angeles.
I went to Columbia film school; that's where I met Matthew Weisman. We then became writing partners, graduated, and moved out to Los Angeles. I didn't know a soul.
I knew if I had gone to school - if I had gone to Juilliard and danced for four years - I would have spent every day wondering what would have happened if I had gone to Los Angeles instead.
I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.
I tend to hang out with my friends in Los Angeles from high school. We know each other from back in the day. They still see me as just dumb Tyra. We have a strong bond.
I finished my junior year of high school and flew out to Los Angeles. I didn't know the difference between a manager and an agent. But I got here and just started hustling and meeting anyone I could.
After 'Gremlins' came out, I should have packed up everything, moved to Los Angeles from New York, and dedicated myself to being a full time film actor. I had the world at my feet.
I grew up outside Cleveland, Ohio, and I went to college at Boston University. I majored in film. Then I came out to Los Angeles.
First, let me just say that I flew in from Los Angeles last evening. And the plane was absolutely filled with women who were coming from the Greater Los Angeles area to be here. And it wasn't that they were necessarily organized in some particular group. Individual women that I talked to - I said, well, who are you with? They said I'm not with anybody. I just decided I couldn't stay home. I just got up, and I came [to the Women's March].
I stayed in the East for about a year after I graduated. Then, I came out to Los Angeles and started knocking on doors and working my way up. This was the '70s. I had been told how tough it was for a woman trying to make it in Hollywood, but I sort of had blinders on. I just did things anyway.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
'The West Wing' was really important for me for a lot of reasons. It was the first thing I did when I got out to Los Angeles. I'd just finished school, and I was so naive.
I just remember when I came out of film school - and I loved film school - that the industry was such a mystery. How to break in, and once you are in, how to make a film; that is such a large undertaking. There are thousands of pitfalls.
I had a band with David Gates. There was just a lot of opportunity at that time. But I left for Los Angeles the week after I graduated high school, and I actually left to try to get into the advertising business. That was really why I went out to L.A. My music career was almost an accident.
The part of football you don't see with all the buddies I ever had, we might have gone out and thrown some passes, but we never went out to knock the hell out of each other just to do it. You do that when the time comes to push the ball downfield or keep it from going down the field. That's why I think football has a great place.
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