A Quote by Danny Meyer

Today, it's almost the outlier if people are not photographing what they ate and then sharing that in real time. — © Danny Meyer
Today, it's almost the outlier if people are not photographing what they ate and then sharing that in real time.
When you're working on a film, it's almost like photographing paintings at a museum. You're photographing somebody else's world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
I find it almost comforting to count calories, because it makes me conscious of what I'm eating. But on Super Bowl Sunday, I thought, 'Surrender to it. It's nacho time.' Then I ate nothing but Doritos all day.
I am almost a real girl the entire drive home. I went to a diner. I drank hot chocolate and ate french fries. Talked to a guy for a while. Laughed a couple of times. A little like ice-skating for the first time, wobbly, but I did it.
There's something magical about spending a Sunday night watching real people at a deli, then watching fake people pretending to be real on TV, then engaging in (arguably) false interaction with (arguably) real people on the Internet. Never at any prior point in time has this been possible.
Why does almost every ad agency in the world set the time on a watch at 10:10 before photographing it?
I ate civilization. It poisoned me; I was defiled. And then," he added in a lower tone, "I ate my own wickedness.
Global warming isn't real because I was cold today! Also great news: world hunger is over because I just ate.
My pregnancy was a free for all. I had no boundaries. I just ate, ate, ate. I just said, 'This is my time, these are my nine months; I can just have fun. How big can I really get?' Sixty pounds! I gained 60 pounds!
Often people ask what I'm photographing, which is a hard question to answer. And the best what I've come up with is I just say: Life today.
Creating is about sharing ideas, sharing aesthetics, sharing what you believe in with other people.
For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.
If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it.
I can see myself as a very old man in a terrific wheelchair. Only, I won't be photographing the tree outside my window, the way Steichen did. I'll be photographing other old people.
With Twitter, it's a little harder to tell jokes that somebody hasn't heard already. You have all these people out there sharing their opinions and telling jokes in real time, and by the time you get on, somebody's already done some version of what you're trying to do.
If today you don't have time for those who gave all their time for you yesterday then tomorrow they will not have time to give to you who has no time today
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