A Quote by Danny Ozark
I've got a great repertoire with my players.
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The players who tend to make the difference are often great dribblers. Some are very fast; others have a repertoire of moves and feints. These players need to have great technique in order to be good dribblers. But I'm not a good dribbler.
I take a lot of favorite moves from great players and add them to my repertoire.
To all players I can recommend the following: simplicity and economy. These are the characteristics of the opening systems of many great masters... A solid opening repertoire fosters self-confidence.
I'm lucky because my repertoire is so specific, and theaters are interested in me singing my repertoire because it is not done so much. I'm pretty well settled in my repertoire. I like what I sing. My voice is high, and there is not much in baroque opera for higher tenor.
Contrary to popular belief, I have always had a wonderful repertoire with my players.
There are moments where we forgot what got us to where we are now. ... We stopped moving the ball. We know how it works. We are playing a great team with great players, and we've got to be close to perfect to win.
The thing that makes the great players great, and that separates players from different players is, when you going out there whether being prepared or not, you have to react. And if you're thinking, you're already a step behind.
I got to work for some great administrators at great institutions, and I had an opportunity to coach great players. Iowa is no different.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I never got the trust to guard those great, great players with the Wizards.
You've just got to bring it every night. And that's what makes the great players great.
Players who have more great games than other players are the great players.
I don't record for my own glory.I mean, of course part of it is for career advancement, but more importantly, I want some of that repertoire - as much of it as possible - to remain and enter pianists' consciousness and, hopefully, into the standard repertoire.
You've got to be extremely careful, because you could be with a great team, and you could be the product of a great team. There are some players that stand out despite the teams that they play on, and there are some players that are good because of the team that they're with.
There are loads of players I could name who are 16-16 looked like world beaters but then at 21-22 they are subs in non-league. There comes a time in your career when the pennies got to drop, where you've got to understand decisionmaking at the right, poignant moments in the game. When to pass, when to dribble, when to shoot. Game-changing moments, can you be the guy that sits there and takes the responsibility. And the great players do.
The nice thing about the violin repertoire is that it's small enough that you can plan on learning everything at some point - whereas the piano repertoire is so enormous it wouldn't be possible unless you're a learning machine.
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