A Quote by Danny Pudi

When you have Ken Jeong naked next to you when you're doing a scene, it's pretty easy to stay loose. — © Danny Pudi
When you have Ken Jeong naked next to you when you're doing a scene, it's pretty easy to stay loose.
You'd see Asian faces on TV, but it was so rare, especially in the comedy space - that for me was Ken Jeong doing stand-up... it's amazing that I can call him a friend now and a colleague.
Ken Jeong might be my biggest fan.
If anybody is a master at improvisation, it would be Ken Jeong. He is hilarious.
A comedy scene can't really have two weirdoes in it. It doesn't make any sense that way, so you need someone to ground it and call out what's unusual about this person and this scene. Early on, I got pretty good at doing that, and I felt pretty comfortable doing that.
While green-screen work, find a way to stay true to whatever it is that it takes to act a scene out, and make sure that you use your imagination as best as you possibly can, still stay loose, and still allow yourself the liberty of doing what you need to do as an actor, and then work within the confines of what is actually possible.
I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.
It's Mari, Jack," Ken whispered, needing to say it aloud. "What?" Jack jerked around, staring at the sniper as the eyes fluttered closed. "Are you certain?" Ken pulled the woman's belt loose and buckled it around her leg. "Either that or your wife is playing sniper for the other team. It has to be Mari. She looks exactly like Briony.
Naked I came, naked I leave the scene
That's one thing I never had to do on a Mike Bay set is sit around and pontificate about the next scene; there's no time for it. You're already in the next scene.
People think your success is just a matter of having a pretty face. But it's easy to be chewed up and spat out. You've got to stay ahead of the game to be able to stay in it.
I want to try and stay focused on the next game. I'm pretty good at doing that, but to be there right now, it has been a blessing up to this point. Being here in Montreal and being healthy and playing with this group of guys.
Television is fast and loose. You have two or three takes to get your part right, and if you have a problem, well, by the time you figure it out, everyone's moved on to the next scene. It's good training, keeps you on your toes.
I keep things pretty loose. I'm always attracted to the artists that have a, like a really loose, kind of, human style, you know, you can see, you can tell there's, there's a humanity in there.
People used to say if you really want to crack it you have really got to go to America. But with the Internet and the scene how it is... Americans are coming here more and more. They are looking at what we are doing. I think it's important that we all remain here, that we stay here and keep this scene thriving.
The trick is that you have to stay naked. You must be naked.
I'm kind of whatever about nudity. Hopefully I wouldn't be a part of anything, whether I'm naked or not, that I didn't believe in. But I'm pretty comfortable being naked.
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